When I have one martini, I feel bigger, wiser, taller. When I have a second, I feel superlative. When I have more, there's no holding me.
William FaulknerRead
I do not rewrite unless I am absolutely sure that I can express the material better if I do rewrite it.
Interpretation
Faulkner emphasizes the importance of confidence and clarity in the writing process before making any revisions.
In this quote, Faulkner highlights the careful consideration that writers must take before deciding to rewrite their work. He suggests that rewriting should only occur when one possesses the certainty that they can improve the expression of their ideas, suggesting that clarity and confidence should guide the writing and editing process.
In practice
In a writers' workshop, to encourage participants to think critically about their revisions.
When I have one martini, I feel bigger, wiser, taller. When I have a second, I feel superlative. When I have more, there's no holding me.
I feel like a wet seed wild in the hot blind earth.
When grown people speak of the innocence of children, they dont really know what they mean. Pressed, they will go a step further and say, Well, ignorance then. The child is neither. There is no crime which a boy of eleven had not envisaged long ago. His only innocence is, he may not be old enough to desire the fruits of it...his ignorance is, he does not know how to commit it...
Maybe times are never strange to women: it is just one continuous monotonous thing full of the repeated follies of their menfolks.
He had a word, too. Love, he called it. But I had been used to words for a long time. I knew that that word was like the others: just a shape to fill a lack; that when the right time came, you wouldn't need a word for that any more than for pride or fear....One day I was talking to Cora. She prayed for me because she believed I was blind to sin, wanting me to kneel and pray too, because people to whom sin is just a matter of words, to them salvation is just words too.
Ever since then I have believed that God is not only a gentleman and a sport; he is a Kentuckian too.
I am a camera with its shutter open, quite passive, recording, not thinking.
One writes such a story [The Lord of the Rings] not out of the leaves of trees still to be observed, nor by means of botany and soil-science; but it grows like a seed in the dark out of the leaf-mold of the mind: out of all that has been seen or thought or read, that has long ago been forgotten, descending into the deeps. No doubt there is much personal selection, as with a gardener: what one throws on one's personal compost-heap; and my mold is evidently made largely of linguistic matter.
No one can be an artist without a rich inner life.
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have.
One should not become an artist because he can, but because he must. It is only for those who would be miserable without it.
Before 'Lord of the Rings,' some people would have just classed Peter Jackson as a horror director. But there is a mind there.
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