For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don't believe in yourself.
John FanteRead
Listen closely. There’s a remote possibility that you might learn something: First, I don’t give a damn if my work is commercial or not…I’m the writer. If what I write is good, then people will read it. That’s why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don’t believe in yourself.
Interpretation
The quote emphasizes the importance of genuine belief in one's work as a writer.
John Fante highlights the significance of a writer's passion and authenticity in creating meaningful literature. He posits that true literary value is derived not from commercial success, but from the heart and conviction behind the writing. Fante argues that literature has the potential to enact real change in the world, and thus, a writer must invest deeply in their work to create something impactful, rather than merely following trends or expectations.
In practice
This quote is perfect for a speech at a writer's conference to inspire budding authors.
For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don't believe in yourself.
We talked, she and I. She asked about my work and it was a pretense, she was not interested in my work. And when I answered, it was a pretense. I was not interested in my work either. There was only one thing that interested us, and she knew it. She had made it plain by her coming.
Arturo Bandini: -What does happiness mean to you Camilla? Camilla: -That you can fall in love with whoever you want to, and not feel ashamed of it.
Ah, Evelyn and Vivian, I love you both, I love you for your sad lives, the empty misery of your coming home at dawn. You too are alone, but you are not like Arturo Bandini, who is neither fish, fowl nor good red herring. So have your champagne, because I love you both, and you too, Vivian, even if your mouth looks like it had been dug out with raw fingernails and your old child's eyes swim in blood written like mad sonnets.
Ask the dust on the road! Ask the Joshua trees standing alone where the Mojave begins. Ask them about Camilla Lopez, and they will whisper her name.
To Southerners like my mother, 'Gone With the Wind' was not just a book; it was an answer, a clenched fist raised to the North, an anthem of defiance.
Wendy? Darling? Light, of my life. I'm not gonna hurt ya. I'm just going to bash your brains in.
Belief in one's identity as a poet or writer prior to the acid test of publication is as naive and harmless as the youthful belief in one's immortality... and the inevitable disillusionment is just as painful.
I'm aware that many of my friends will be saddened and shocked, or shock-saddened, over some of the chapters in 'The Catcher In the Rye.' Some of my best friends are children. In fact, all my best friends are children. It's almost unbearable for me to realize that my book will be kept on a shelf out of their reach.
People often ask me why my style is so simple. It is, in fact, deceptively simple, for no two sentences are alike. It is clarity that I am striving to attain, not simplicity. Of course, some people want literature to be difficult and there are writers who like to make their readers toil and sweat. They hope to be taken more seriously that way. I have always tried to achieve a prose that is easy and conversational. And those who think this is simple should try it for themselves.
People ask me if there are going to be stories of Harry Potter as an adult. Frankly, if I wanted to, I could keep writing stories until Harry is a senior citizen, but I don't know how many people would actually want to read about a 65 year old Harry still at Hogwarts playing bingo with Ron and Hermione.
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