O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
Henry Wadsworth LongfellowRead
For his heart was in his work, and the heart giveth grace unto every art.
Interpretation
Dedication to one's work enhances its quality and beauty.
This quote by Longfellow emphasizes the profound connection between passion and creativity. When an individual invests their heart and emotions into their work, it transcends mere labor and transforms into a form of art infused with grace and beauty, highlighting the importance of love and dedication in any creative endeavor.
In practice
In a speech at an art exhibition, one might quote this to inspire artists to put their heart into their creations.
O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
There are moments in life, when the heart is so full of emotion That if by chance it be shaken, or into its depths like a pebble Drops some careless word, it overflows, and its secret, Spilt on the ground like water, can never be gathered together.
Perseverance is a great element of success. If you only knock long enough and loud enough at the gate, you are sure to wake up somebody.
To be seventy years old is like climbing the Alps. You reach a snow-crowned summit, and see behind you the deep valley stretching miles and miles away, and before you other summits higher and whiter, which you may have strength to climb, or may not. Then you sit down and meditate and wonder which it will be.
God is not dead; nor doth He sleep; ... _x000D_ The wrong shall fail,_x000D_ The right prevail,_x000D_ With peace on earth, good will to men.
In the long run men hit only what they aim at.
In truth, I never consider the audience for whom I'm writing. I just write what I want to write.
Let the splendor of diamond, pearl and ruby vanish? Only let this one teardrop, this Taj Mahal, glisten spotlessly bright on the cheek of time, forever and ever.
By and large, most of the work that we see in the great museums throughout the world are populated with people who don't happen to look like me.
This much we know: Journalism is not a precise science. It's, on its best day, is a crude art. We make mistakes; I make mistakes. With more than 50 years as a journalist, I have at least had the opportunity to blow more stories, make more mistakes than maybe anybody in television.
I am not the kind of director who sits in a chair smoking a cigar talking with a microphone to 10 assistants. I need to move. To touch. To put a painting on a wall. To arrange a set.
My belief of book writing is much the same as my belief as to shoemaking. The man who will work the hardest at it, and will work with the most honest purpose, will work the best.
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