O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
Henry Wadsworth LongfellowRead
For his heart was in his work, and the heart giveth grace unto every art.
Interpretation
Dedication to one's work enhances its quality and beauty.
This quote by Longfellow emphasizes the profound connection between passion and creativity. When an individual invests their heart and emotions into their work, it transcends mere labor and transforms into a form of art infused with grace and beauty, highlighting the importance of love and dedication in any creative endeavor.
In practice
In a speech at an art exhibition, one might quote this to inspire artists to put their heart into their creations.
O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
There are moments in life, when the heart is so full of emotion That if by chance it be shaken, or into its depths like a pebble Drops some careless word, it overflows, and its secret, Spilt on the ground like water, can never be gathered together.
Perseverance is a great element of success. If you only knock long enough and loud enough at the gate, you are sure to wake up somebody.
To be seventy years old is like climbing the Alps. You reach a snow-crowned summit, and see behind you the deep valley stretching miles and miles away, and before you other summits higher and whiter, which you may have strength to climb, or may not. Then you sit down and meditate and wonder which it will be.
God is not dead; nor doth He sleep; ... _x000D_ The wrong shall fail,_x000D_ The right prevail,_x000D_ With peace on earth, good will to men.
In the long run men hit only what they aim at.
Ecstasy is not really part of the scene we can do on celluloid.
The merit of painting lies in the exactness of reproduction. Painting is a science and all sciences are based on mathematics. No human inquiry can be a science unless it pursues its path through mathematical exposition and demonstration.
I am seeking that dance which might be the divine expression of the human spirit through the medium of the body's movement.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
A good, sympathetic review is always a wonderful surprise.
I was an awful critic. I operated on the assumption that there was an absolute scale of values against which art could be measured. I didn't trust my own subjective responses.
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