Of the widow's countless death-duties there is really just one that matters: on the first anniversary of her husband's death the widow should think I kept myself alive.
Joyce Carol OatesRead
A good, sympathetic review is always a wonderful surprise.
Interpretation
A positive review can provide unexpected joy and validation to an artist or writer.
This quote highlights the emotional impact that a kind and understanding critique can have on creatives, emphasizing that thoughtful recognition of one's work can be both uplifting and encouraging. It points out how such appreciation can serve as a delightful affirmation of an individual's efforts and talent, often leading to deeper motivation and a sense of connection with the audience.
In practice
During an author event, sharing this quote can highlight the importance of positive feedback among writers.
Of the widow's countless death-duties there is really just one that matters: on the first anniversary of her husband's death the widow should think I kept myself alive.
I never really knew I wanted to 'be' a writer, but I was always writing from a very young age. It became more conscious as an ideal when I was in my twenties.
I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life.
My writing is often a way of 'bearing witness' for others who lack the education and the opportunity to tell their own stories, so I hope that my writing won't be affected too much by my personal life.
The worst cynicism: a belief in luck.
. . . there is a wish in the heart of mankind to be distracted and confused. Truth is but one attraction, and not always the most powerful.
You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.
I have no interest in ever coming out. Iβm just trying to make the pictures look good; Iβm not into trying to make myself look good. And besides, itβs a pretty safe bet that the reality of me would be a crushing disappointment to a couple of 15-year-old kids out there.
When I was a child, my mother said to me, 'If you become a soldier, you'll be a general. If you become a monk, you'll end up as the Pope.' Instead, I became a painter and wound up as Picasso.
I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.
Everyday life is like programming, I guess. If you love something you can put beauty into it.
If you believe in what you do and you really want to be in music, just stick at it. It's always a learning process. Enjoy it because I think making music is a privilege, really. In an ideal world, it should also always be fun. As much as possible, make it fun.
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