The gulls who scorn perfection for the sake of travel go nowhere, slowly. Those who put aside travel for the sake of perfection go anywhere, instantly.
Richard BachRead
The highest art form of all is a human being in control of himself and his airplane in flight, urging the spirit of a machine to match his own.
Interpretation
The quote emphasizes the mastery of self and technology, illustrating the harmony between human control and machine operation.
Richard Bach highlights the profound connection between human consciousness and the machines we operate, suggesting that true artistry lies in the ability to harmonize one's spirit and skill with the capabilities of technology. This mastery not only requires technical expertise but also personal discipline and understanding, indicating that the zenith of art is not just in creation, but in the elegant execution of control over one's environment.
In practice
This quote can inspire individuals in a motivational talk about self-discipline.
The gulls who scorn perfection for the sake of travel go nowhere, slowly. Those who put aside travel for the sake of perfection go anywhere, instantly.
Jonathan Livingston Seagull . . . was no ordinary bird. Most gulls don't bother_x000D_ _x000D_ to learn more than the simplest facts of flight how to get from shore to food and back again. For most gulls, it is not flying that matters, but eating. For this_x000D_ _x000D_ gull, though, it was not eating that mattered, but flight. More than anything else,_x000D_ _x000D_ Jonathan Livingston Seagull loved to fly.
True love stories never have endings.
We wait all these years to find someone who understands us, I thought, someone who accepts us as we are, someone with a wizard's power to melt stone to sunlight, who can bring us happiness in spite of trials, who can face our dragons in the night, who can transform us into the soul we choose to be. Just yesterday I found that magical Someone is the face we see in the mirror: It's us and our homemade masks.
From time to time it's fun to close our eyes, and in that dark say to ourselves, 'I am the sorcerer, and when I open my eyes I shall see a world that I have created, and for which I and only I am completely responsible.' Slowly then, eyelids open like curtains lifting stage-center. And sure enough, there's our world, just the way we've built it.
If our body is a perfect expression of our thought about body, and if our thought about body is that itβs condition has everything to do with inner image and nothing to do with time, then we donβt have to be impatient for being too young or frightened of being too old.
A typical TV show is always about protecting the franchise - it's all about stretching it out as long as you can take it. And it's about taking the characters in any given hour as far as you can take them, but then resetting them more or less back to zero so at the beginning of the next week, so they're still the character you know and love.
I find that when I write, I need things to be quiet, but when I design, I can't bear it if it's quiet.
Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.
The concept with Off-White is that I have no ideal target. It's more about trying to make something for everyone. And I think that's what helps make it unique. That there isn't a specific muse.
When you grow up in the church, the only translation in that insular world that people understand is preaching. You're supposed to be a minister. So I was going down that path, and then I saw the Tonys.
I consider tragedy the highest form of art.
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