i laced my shoes with sorrow and walked a weary road dead end streets don't come undone with double knots wing tipped shoes that walk on air through vacant lots
Saul WilliamsRead
I dance for no reason, for reasons you can't dance, Call me an activist of intellectualized circumstance You can't learn my steps until you unlearn your thoughts Spirit, soul, can't be store-bought.
Interpretation
The quote emphasizes the importance of genuine expression over societal expectations and preconceived notions.
Saul Williams challenges the listener to recognize that true expression and creativity come from within, unencumbered by societal constraints and dogmas. The act of dancing represents a form of liberation, suggesting that intellect and understanding must be reexamined to truly appreciate and embody one's unique dance of life.
In practice
In a speech about self-expression, one could quote this to inspire people to embrace their true selves.
i laced my shoes with sorrow and walked a weary road dead end streets don't come undone with double knots wing tipped shoes that walk on air through vacant lots
There is no music more powerful than hip-hop. No other music so purely demands an instant affirmative on such a global scale. When the beat drops, people nod their heads, “yes,” in the same way that they would in conversation with a loved one, a parent, professor, or minister.
Have you ever lost yourself in a kiss? I mean pure psychedelic inebriation. Not just lustful petting but transcendental metamorphosis when you became aware that the greatness of this being was breathing into you. Licking the sides and corners of your mouth, like sealing a thousand fleshy envelopes filled with the essence of your passionate being and then opened by the same mouth and delivered back to you, over and over again - the first kiss of the rest of your life.
We are unraveling our navels so that we may ingest the sun. We are not afraid of the darkness. We trust that the moon shall guide us. We are determining the future at this very moment. We know that the heart is the philosopher's stone. Our music is our alchemy.
Why shouldn't rap be esoteric, able to take in current events, history and criticism? I guess it's this old idea of containment - that rappers, because they're black, can't and shouldn't aspire to look outside the ghetto for influence.
A lie preserved in stained glass doesn't make it more true.
I'm a storyteller: the crux of the matter is to reach beauty, poetry; it doesn't matter if that is comedy or tragedy. They're the same if you reach the beauty.
I knew, regardless of anything else, singing in front of an orchestra was going to be inspirational. It would feed me.
There's a reason poets often say, 'Poetry saved my life,' for often the blank page is the only one listening to the soul's suffering, the only one registering the story completely, the only one receiving all softly and without condemnation.
The avantgarde are people who don't exactly know where they want to go, but are the first to get there.
I always felt that acting was an escape, like having the secret key to every door and permission to go into any realm and soak it up. I enjoy that free pass.
As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
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