I can't honestly account for the very personal response that I have to one story and not another, a sense of an orbit, the orbit of a world that draws me as my own life recedes.
Interpretation
This quote reflects the deep personal connection one can feel to certain stories that resonate with their own life experiences.
In this quote, Daniel Day-Lewis expresses the subjective nature of storytelling and how individual connections to narratives can vary. He notes that some stories draw him in deeply, creating a sense of belonging or personal relevance, even as he himself feels distanced from his own life. This speaks to the power of stories to evoke emotions and reflections on one’s own journey.
In practice
In a book discussion group, you might reference this quote when discussing how different readers resonate with various characters.
One of the great privileges of having grown up in a middle-class literary English household, but having gone to school in the front lines in Southeast London, was that I became half-street-urchin and half-good-boy at home. I knew that dichotomy was possible.
You don't merely give over your creativity to making a film - you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously; you have no option but to confront the mould on last night's washing-up.
When I've gone back to work, it's always with that sense of inevitability. That may be a complete delusion, but it's the one that I need to get out of bed and go about my business. That sense that I can't avoid this thing. I better just get on with it.
I suppose it's a very highly developed form of denial, but some part of me completely denies that I'm a performer.
I don't torture myself. And I do the work because of the pleasure involved. I'm satisfying a compulsion I find nigh-on irresistible. It's not necessarily because of the work itself. I just feel the need for a period of regeneration afterwards. Like leaving a field fallow when you've grazed too much on it. I feel depleted.
England is obsessed with where you came from, and they are determined to keep you in that place, be it in a drawing room or in the gutter.
The kingdom is not an exclusive, well-trimmed suburb with snobbish rules about who can live there. No, it is for a larger, homelier, less self-conscious caste of people who understand they are sinners because they have experienced the yaw and pitch of moral struggle.
I lay puzzle as I backtrack to earlier times, Nothing's equivalent to the New York state of mind
I wasn't sleeping on the streets at night. Of course, there were a lot of good people sleeping in the streets. They weren't fools, they just didn't fit into the needed machinery of the moment. And those needs kept altering.
Mountains make poor receptacles for dreams.
Taking the State wherever found, striking into its history at any point, one sees no way to differentiate the activities of its founders, administrators and beneficiaries from those of a professional-criminal class.
We're all complicit in the things we may be trying to oppose. I'm complicit in the things that I'm trying to oppose.
Subscribe for the occasional hand-picked quote. No noise.