I can't honestly account for the very personal response that I have to one story and not another, a sense of an orbit, the orbit of a world that draws me as my own life recedes.
Daniel Day-LewisRead
I suppose it's a very highly developed form of denial, but some part of me completely denies that I'm a performer.
Interpretation
The quote reflects an inner conflict regarding self-identity and the nature of performance in art.
Daniel Day-Lewis expresses a profound contemplation on his identity as a performer, suggesting that despite his accomplishments in acting, he feels an inherent denial of that label. This reflects a common struggle among artists who grapple with the authenticity of their craft and how it relates to their true selves, highlighting a deeper philosophical inquiry into the nature of self-perception and role-playing.
In practice
In a discussion about the nature of fame, this quote serves to remind us that public personas may not reflect personal truths.
I can't honestly account for the very personal response that I have to one story and not another, a sense of an orbit, the orbit of a world that draws me as my own life recedes.
One of the great privileges of having grown up in a middle-class literary English household, but having gone to school in the front lines in Southeast London, was that I became half-street-urchin and half-good-boy at home. I knew that dichotomy was possible.
You don't merely give over your creativity to making a film - you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously; you have no option but to confront the mould on last night's washing-up.
When I've gone back to work, it's always with that sense of inevitability. That may be a complete delusion, but it's the one that I need to get out of bed and go about my business. That sense that I can't avoid this thing. I better just get on with it.
I don't torture myself. And I do the work because of the pleasure involved. I'm satisfying a compulsion I find nigh-on irresistible. It's not necessarily because of the work itself. I just feel the need for a period of regeneration afterwards. Like leaving a field fallow when you've grazed too much on it. I feel depleted.
England is obsessed with where you came from, and they are determined to keep you in that place, be it in a drawing room or in the gutter.
The hand descended. Nearer and nearer it came. It touched the ends of his upstanding hair. He shrank down under it. It followed down after him, pressing more closely against him. Shrinking, almost shivering. He still managed to hold himself together. It was a torment, this hand that touched him and violated his instinct. He could not forget in a day all the evil that had been wrought him at the hands of men.
Religions do a useful thing: they narrow God to the limits of man. Philosophy replies by doing a necessary thing: it elevates man to the plane of God.
My case is a species of madness, only that it is a derangement of the Volition, and not of the intellectual faculties.
Where, after all, do universal human rights begin? In small places, close to home.
The will is not free - it is a phenomenon bound by cause and effect - but there is something behind the will which is free.
A city is a place where there is no need to wait for next week to get the answer to a question, to taste the food of any country, to find new voices to listen to and familiar ones to listen to again.
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