I will turn human anatomy into roses and stars and sea. I will dissect the beloveds body in metaphor.
Interpretation
The quote reflects the transformative power of love and art, turning the human experience into metaphors of beauty.
In this quote, the author expresses the idea of using art to reinterpret and elevate the human experience, particularly in relation to love. By invoking imagery like 'roses and stars,' the speaker suggests that through artistic expression, even the most intimate and vulnerable aspects of humanity can become beautiful and transcendent metaphors, illustrating the deep connection between love and artistry.
In practice
Use this quote in a speech about the importance of art in understanding human emotions.
Perception plays a vital role in the diagnosis of bipolar illness. Symptoms are perceived through the categories of psychiatric medicine at a given moment in history, categories which are continually shifting and being named or renamed.
Our memory fragments don't have any coherence until they're imagined in words. Time is a property of language, of syntax, and tense.
All human states are organic brain states - happiness, sadness, fear, lust, dreaming, doing math problems and writing novels - and our brains are not static.
I don't want the words to be naked the way they are in faxes or in the computer. I want them to be covered by an envelope that you have to rip open in order to get at. I want there to be a waiting time -a pause between the writing and the reading. I want us to be careful about what we say to each other. I want the miles between us to be real and long. This will be our law -that we write our dailiness and our suffering very, very carefully.
under our love making I felt a bleakness that couldnt be dispelled. The sadness was in both of us, and I think we pitied ourselves that night, as if we were other people looking down on the couple who lay together on the bed
People who grow up with two or more languages understand that each can express certain aspects of reality better than the other.
My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move.
In order to use color effectively it is necessary to recognize that color deceives continually.
Art is never chaste. It ought to be forbidden to ignorant innocents, never allowed into contact with those not sufficiently prepared. Yes, art is dangerous. Where it is chaste, it is not art.
My wife Martha used to call me Ol' Lemon Face because of my facial contortions when I play Lucille. I squeeze my eyes and open my mouth, raise my eyebrows, cock my head and God knows what else. I look like I'm in torture, when in truth, I'm in ecstasy. I don't do it for show. Every fiber of my being is tingling.
When we discovered cubism, we did not have the aim of discovering cubism. We only wanted to express what was in us.
The reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place.
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