They're not particular whether you're playing a flat 5th or a ruptured 129th as long as they can dance.
Dizzy GillespieRead
I'd like to play for you one of my compositions, my only composition.
Interpretation
The quote highlights the significance of personal expression through one's unique creations.
Dizzy Gillespie emphasizes the importance of individual artistry and creativity with this quote, suggesting that every artist has a personal narrative and expression that is profoundly valuable. His phrase 'my only composition' suggests not just a physical piece of music but also an intrinsic connection between the artist and their work, reinforcing the idea that personal experiences shape our creative outputs.
In practice
An artist might share this quote during a presentation to inspire budding musicians.
They're not particular whether you're playing a flat 5th or a ruptured 129th as long as they can dance.
How do I know why Miles walks off the stage? Why don't you ask him? And besides, maybe we'd all like to be like Miles, and just haven't got the guts.
Learn to play the piano, man, and then you can figure out crazy solos of your own.
I don't care much about music. What I like is sounds.
I always try to teach by example and not force my ideas on a young musician. One of the reasons we're here is to be a part of this process of exchange.
They're not particular about whether you're playing a flatted fifth or a ruptured 129th as long as they can dance to it.
Painting doesn't freeze time. It circulates and recycles time like a wheel that turns. Those who were first might well be last. Painting is a very slow art. It doesn't travel with the speed of light. That's why dead painters shine so bright.
My subject matter was a genuine sort of experience that came out of my life, particularly the American world in which I was privileged to be . . . . I would really think of the bakery counters, of the way the counter was lit, where the pies were placed, but I wanted just a piece of the experience. From when I worked in restaurants . . . [it was] always poetic to me.
Without atmosphere a painting is nothing.
Some split between the inner world and outer world is common to all behaviour, and the need to bridge the gap is the source of creative behaviour.
I try to create sympathy for my characters, then turn the monsters loose.
Art is not an object, but a trigger for experience.
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