It's absolutely crucial to maintain my life as a poet.
Edward HirschRead
I aspire to a poetry of great formal integrity, deep passion and high intellect, and I have many models for how to do that.
Interpretation
The quote expresses a desire for poetry that is both technically skilled and emotionally profound, inspired by various influences.
Edward Hirsch's quote reflects an aspiration for a type of poetry that combines both formal excellence and a deep emotional resonance. He emphasizes the significance of intellectual engagement in crafting poetry while also acknowledging the various influences and models that inspire him to achieve this ideal. This highlights the interconnectedness of technical skill, passion, and thoughtfulness in artistic expression.
In practice
During a literary discussion, I would use this quote to highlight the importance of technical skill in poetry.
It's absolutely crucial to maintain my life as a poet.
The commitment to working at poetry is important because a poet is a maker, and a poem is a made thing. We have to honor our feelings by working to transform them into something meaningful and lasting.
As far as I'm concerned, freedom is the most important thing to creativity. You should feel free to write in whatever way, whatever language, feels comfortable to you.
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
And every year there is a brief, startling moment _x000D_ When we pause in the middle of a long walk home and _x000D_ Suddenly feel something invisible and weightless _x000D_ Touching our shoulders, sweeping down from the air: _x000D_ It is the autumn wind pressing against our bodies; _x000D_ It is the changing light of fall falling on us.
When poetry separates from song, then the words have to carry all the rhythm themselves; they have to do all the work. They can't rely on the singing voice.
I don't hate people who colour-blind cast, but I hate people who colour-blind cast and pretend that they're not, who pretend that these bodies on stage don't actually carry specific meaning.
She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen. With wonder, she smiled. That such a room existed!
Art never harms itself by keeping aloof from the social problems of the day: rather, by so doing, it more completely realises for us that which we desire.
A drawing is an autobiographical record of one's discovery of an event - either seen, remembered or imagined. A 'finished' work is an attempt to construct an event in itself.
He realised, more vividly than ever before, that art had two constant, two unending preoccupations: it is always meditating upon death and it is always thereby creating life.
I'm so powerful in stage that I seem to have created a monster. When I'm performing I'm an extrovert, yet inside I'm a completely different man.
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