Naturalists, like poets, are born and then made only by years of painstaking observation.
John BurroughsRead
The very idea of a bird is a symbol and a suggestion to the poet. A bird seems to be at the top of the scale, so vehement and intense is his life, large-brained, large-lunged, hot, ecstatic, his frame charged with buoyancy and his heart with song.
Interpretation
The quote reflects on the symbolic and inspirational qualities of birds in poetry.
John Burroughs suggests that birds embody intense life and vitality, serving as powerful symbols for poets. Their physical attributes and lively nature inspire creative expression, representing freedom, creativity, and the beauty of life.
In practice
A writer could use this quote in a speech about the role of nature in inspiring creativity.
Naturalists, like poets, are born and then made only by years of painstaking observation.
Every walk to the woods is a religious rite, every bath in the stream is a saving ordinance. Communion service is at all hours, and the bread and wine are from the heart and marrow of Mother Earth.
Next to the laborer in the fields, the walker holds the closest relation to the soil; and he holds a closer and more vital relation to nature because he is freer and his mind more at leisure.
Some of the animals outsee man, outsmell him, outhear him, outrun him, outswim him, because their lives depend more upon these special powers than his does; but he can outwit them all because he has the resourcefulness of reason and is at home in many different fields.
Unadulterated, unsweetened observations are what the real nature-lover craves. No man can invent incidents and traits as interesting as the reality.
Writing is reporting what we saw after the vision has left us. It is catching the fish which the tide has left far up on our shores in the low and depressed places.
We had something to say. Whenever we played, people didn't dance, they listened.
Today, although as a whole, the industry is still male-dominated, more women are drawing comics than ever before, and there are more venues for them to see their work in print. In the 1950s, when the comic industry hit an all-time low, there was no place for women to go. Today, because of graphic novels, there's no place for aspiring women cartoonists to go but forward.
One day, I will be a poet. Water will depend on my visions.
What I do is rooted in magic - it's got a big foot planted firmly in conjuring, even if the other foot's planted in psychological techniques.
For me, it's about making art that's not good but phenomenal. James Baldwin didn't want to just stay above the fray. Prince didn't think, 'I wonder what the industry is gonna think about 'Purple Rain.'' It's just, is this honest? Is this real? Does this move me? The rest is icing.
Make something, a kind of object, which as it changes or falls apart (dies as it were) or increases in its parts (grows as it were) offers no clue as to what its state or form or nature was at any previous time. Physical and Metaphysical. Obstinacy. Could this be a useful object?
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