We only have to look at ourselves to see how intelligent life might develop into something we wouldn't want to meet.
Stephen HawkingRead
Wagner manages to convey emotion with music better than anyone, before or since.
Interpretation
Wagner's music expresses deep emotions in a way unmatched by others.
Stephen Hawking praises the composer Richard Wagner for his exceptional ability to evoke emotions through music, arguing that no one, before or after Wagner, has managed to achieve such a profound impact on listeners' feelings. This highlights the significance of music as an expressive art form that transcends time and connects deeply with the human experience.
In practice
Using this quote in a lecture about the emotional power of music.
We only have to look at ourselves to see how intelligent life might develop into something we wouldn't want to meet.
I regard the brain as a computer which will stop working when its components fail. There is no heaven or afterlife for broken down computers; that is a fairy story for people afraid of the dark.
It surprises me how disinterested we are today about things like physics, space, the universe and philosophy of our existence, our purpose, our final destination. Its a crazy world out there. Be curious.
I was not a good student. I did not spend much time at college; I was too busy enjoying myself.
The world has changed far more in the past 100 years than in any other century in history. The reason is not political or economic but technological-technologies that flowed directly from advances in basic science. Clearly, no scientist better represents those advances than Albert Einstein: TIME's Person of the Century.
In my opinion, there is no aspect of reality beyond the reach of the human mind.
Some of the most intense affairs are between actors and characters. There's a fire in the human heart and we jump into it with the same obsession as we have with our lovers.
A great many people seem to think writing poetry is worthwhile, even though it pays next to nothing and is not as widely read as it should be.
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
Beauty . . . cannot be interpreted. It is not an empirically verifiable fact; it is not a quantity.
The reality of the final moment, just before shooting [the scene], is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
To be honest, when I was writing these stories a million years ago, I never thought about movies at all one way or another. It would have seemed almost miraculous for these things to be movies someday. To me, they were just comic books that I hoped would sell so I could keep my job.
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