It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.
Lynsey AddarioRead
Obviously I am a photographer and I believe in my medium: I do think that powerful photographs can force change. It doesn't take long to look and be engaged in a strong image whereas, with a story, you have to actually sit down and pause and be involved in it.
Interpretation
Powerful photographs can create an immediate impact and inspire change more quickly than written stories.
In this quote, Lynsey Addario emphasizes the unique strength of photography as a medium that can instigate change instantaneously. Unlike written stories that require sustained attention and engagement, a compelling photograph can instantly capture the viewer's emotion and provoke thought, making visual storytelling a potent tool for social change.
In practice
In a speech about social justice, one could highlight this quote to illustrate the power of visual media.
It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.
I do think my childhood is one of the fundamental reasons that I'm able to do my job. We were raised in this totally nonjudgmental family. We never knew who was going to walk in the front door. And as a journalist and a photographer, you walk into so many different scenes that you have to be open to everything.
As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful.
My strength is looking for composition and light, and I think those things come in the quieter times of war or photographing people affected on the margins of war - civilians, refugees; that is where I really excel.
Don't expect things to happen fast. Be empathetic with the people you are photographing. Don't be concerned about money.
If people really saw what was happening in Iraq and Afghanistan, then they might be marching in the streets to end wars. But you know, I think that no one ever sees because we're not allowed to see, and we're not allowed to publish what we do see. So it's quite difficult.
Everything that I had done creatively related to two or three incidents that happened to me when I was a child that I'd forgotten. Everything, absolutely everything.
To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
A life is not sufficiently elevated for poetry, unless, of course, the life has been made into an art.
The majority of the people think that noise is not music. I want to accept noise and even errors and glitches. I enjoy them.
I concentrate in my work on preserving and displaying the original flavor from each ingredient in a dish.
I always prefer photographing in available light – or Rembrandt-light I like to call it – so you get the natural modulations of the face. It makes a more alive, real, and flattering portrait.
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