The idea of being a rock and roll musician sort of suited my talents and mentality. The freedom was great, but then I found out I wasn't free. I'd got boxed in...The whole Beatle thing is just beyond comprehension ... subconsciously I was crying for help.
Interpretation
John Lennon reflects on the paradox of fame and freedom in his life as a rock musician.
In this quote, John Lennon expresses the internal conflict he faced as a prominent rock musician. Although the lifestyle promised freedom, it ultimately led him to feel trapped and overwhelmed by the pressures of fame, revealing a deeper emotional struggle where he felt a need for assistance despite the public perception of his success. The statement highlights the complexities of personal identity and the burdens that can accompany celebrity status.
In practice
During a speech about the pressures of fame in the music industry.
When I get older losing my hair many years from now. Will you still be sending me a Valentine. Birthday greetings, bottle of wine? If I'd been out till quarter to three would you lock the door? Will you still need me, will you still feed me, When I'm sixty-four?
The writing of the Beatles, or John and Paul's contribution to the Beatles in the late sixties - had a kind of depth to it, a more mature, more intellectual approach. We were different people, we were older. We knew each other in all kinds of different ways than when we wrote together as teenagers and in our older twenties.
I put things down on sheets of paper and stuff them in my pockets. When I have enough, I have a book.
Guilt for being rich, and guilt thinking that perhaps love and peace isn't enough and you have to go and get shot or something.
I regret profoundly that I was not an American and not born in Greenwich Village. It might be dying, and there might be a lot of dirt in the air you breathe, but this is where it's happening.
I've been baking bread and looking after the baby...Everyone else who has asked me that question over the last few years says. 'But what else have you been doing?' To which I say, 'Are you kidding?' Because bread and babies, as every housewife knows, is a full-time job. After I made the loaves [of bread,] I felt like I had conquered something. But as I watched the bread being eaten, I thought, Well, Jesus, don't I get a gold record or knighted or nothing?
This banjo surrounds hate and forces it to surrender.
Punk rock, to me, was always outsiderness. When I first saw large-group-scene punk rock, I was repelled by it, because there were way too many people who agreed with each other.
... with Voodoo Child somebody was filming when we started doing that. We did that about three times because they wanted to film us in the studio, to make us (imitates a pompous voice) 'make it look like you're recording boys' - one of them scenes, you know, so okey, let's play this and then we went into Voodoo Child
I've had experiences where people say, 'I hated jazz before I heard you guys!' I'm like, 'You didn't hate jazz before you heard us; you hated the idea of jazz.'
I'm really glad we came up when we did. When we got started, the record companies were concerned with building careers. They made sure you could put on a live show before you put a record out. And if your first album sold 100,000 to 200,000 copies, they were happy, because they figured you had your foot in the door on a way to a long career.
To me, hip hop will never be right until female rappers have a stronger voice in it.
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