Poets are being pursued by the philosophers today, out of the poverty of philosophy. God damn it, you might think a man had no business to be writing, to be a poet unless some philosophic stinker gave him permission.
William Carlos WilliamsRead
Say it, no ideas but in things - nothing but the blank faces of the houses and cylindrical trees bent, forked by preconception and accident - split, furrowed, creased, mottled, stained - secret - into the body of the light!
Interpretation
The quote emphasizes the importance of expressing ideas through tangible objects rather than abstract concepts.
William Carlos Williams' quote underlines the notion that true expression in art and poetry should be grounded in the physicality of the world around us. He suggests that the richness of our experiences and observations—represented by mundane objects like houses and trees—holds deeper meanings that deserve exploration, challenging the preconceptions that often cloud our perception of reality.
In practice
During a poetry reading, this quote can be used to illustrate the importance of grounding one's work in reality.
Poets are being pursued by the philosophers today, out of the poverty of philosophy. God damn it, you might think a man had no business to be writing, to be a poet unless some philosophic stinker gave him permission.
For the beginning is assuredly the end- since we know nothing, pure and simple, beyond our own complexities.
It was the love of love, the love of swallows up all else, a grateful love, a love of natural, of people, of animals, a love ingengering gentleness and goodness that moved meand that I saw in you
O frost bitten blossoms, That are unfolding your wings From out the envious black branches. Bloom quickly and make much of the sunshine. The twigs conspire against you! Hear hem! They hold you from behind.
No opinion can be trusted; even the facts may be nothing but a printer's error.
It is almost impossible to state what one in fact believes, because it is almost impossible to hold a belief and to define it at the same time.
When you're young, with less on the line, it's easier to be audacious, to experiment. So I introduced the concerns of my generation - politics, sex, drugs, rock-and-roll, etc. - to the comics page, which for many years caused a rolling furor.
I've yet to meet somebody who said, 'Your stories are so revolting I couldn't read them.'
When I enter that higher-order space that's required to write, I'm a better human. For whatever my writing is, wherever it's ranked, it definitely is the one place that I get to be beautiful.
The pointes for girls, I always say, have to be like an elephant's trunk; strong and yet flexible and soft.
With all the main characters that I write, it's always very important to me that they have good and bad aspects of their personality. It's important to me that they're complicated and that they're human.
As things are, and as fundamentally they must always be, poetry is not a career, but a mug's game. No honest poet can ever feel quite sure of the permanent value of what he has written: He may have wasted his time and messed up his life for nothing.
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