Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
George C. WolfeRead
I'm interested in exploring how an individual maintains a sense of power in a world that tends to make individuals feel powerless.
Interpretation
The quote discusses the struggle of maintaining personal power in a seemingly oppressive world.
George C. Wolfe's quote reflects on the human desire for autonomy and strength in the face of societal forces that can diminish one's sense of self-efficacy. It invites contemplation on how individuals can reclaim their power and agency, particularly in environments that often promote feelings of helplessness and disenfranchisement.
In practice
During a motivational speech about overcoming obstacles in personal life.
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
A musical is what happens when text collides with motion collides with song collides with spectacle. And spectacle can be the human heart; it doesn't necessarily have to be a helicopter crashing.
The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about theater is that it has so many people involved in the creation of it. That dynamic is thrilling and challenging every time you make a show.
I was raised to believe that other people's suffering was my responsibility.
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.
Between the shores of the oceans and the summit of the highest mountain is a secret route that you must absolutely take before being one with the sons of the Earth.
How we treat our invalids - our mad, our physically or mentally compromised family members - does tell you something about who we are politically, historically, culturally.
One is almost tempted to say that the language itself is a mythology deprived of its vitality, a bloodless mythology so to speak, which has only preserved in a formal and abstract form what mythology contains in living and concrete form.
We Americans know - although others appear to forget - the risk of spreading conflict. We still seek no wider war.
Forget Jesus. The stars died so that you could be here today.
What has been forgotten is never something purely individual. Everything forgotten mingles with what has been forgotten of the prehistoric world, forms countless, uncertain, changing compounds, yielding a constant flow of new, strange products.
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