Tonight, tonight, won't be just any night. Tonight there will be no morning star.
Stephen SondheimRead
I'm interested in the theater because I'm interested in communication with audiences. Otherwise I would be in concert music.
Interpretation
The quote emphasizes the importance of audience engagement in theater as opposed to the more solitary nature of concert music.
Stephen Sondheim highlights his passion for theater as a medium for communication, suggesting that the interaction with an audience is a fundamental aspect of this art form. He contrasts this with concert music, which often lacks direct engagement, implying that the vibrancy and immediacy of live performances make theater uniquely compelling for him.
In practice
Using this quote during a discussion on the role of theater in society.
Tonight, tonight, won't be just any night. Tonight there will be no morning star.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Musical comedies aren't written, they are rewritten.
Let Pirelli's / Miracle Elixir / Activate your roots, sir... Keep it off your boots, sir- / Eats right through. Yes, get Pirelli's! / Use a bottle of it! / Ladies seem to love it... Flies do, too!
Art, in itself, is an attempt to bring order out of chaos.
Careful the spell you cast, not just on children. Sometimes the spell may last Past what you can see And turn against you... Careful the tale you tell. That is the spell.
Oh! snatched away in beauty's bloom,_x000D_ _x000D_ On thee shall press no ponderous tomb;_x000D_ _x000D_ But on thy turf shall roses rear_x000D_ _x000D_ Their leaves, the earliest of the year.
The writer probably knows what he meant when he wrote a book, but he should immediately forget what he meant when he's written it.
You use a glass mirror to see your face; you use works of art to see your soul.
I don't start with a color order, but find the colors as I go.
I get irritated with the world. I get irritated with politicians. I get very irritated with governments and with corporations, but in terms of imagination - my imagination is always fertile. I'm either thinking of my own things or constantly engaged by the things that other people do.
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
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