I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
Mary OliverRead
If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer.
Interpretation
The quote emphasizes the importance of the work itself over the identity of the creator.
Mary Oliver suggests that the best art should stand on its own merit, allowing the audience to engage with the work without being influenced by the biography or personality of the artist. By doing so, the artist enables viewers to connect with the piece more deeply, creating a purer form of appreciation that is about the art rather than the artist.
In practice
In a discussion about the impact of artists on their work, you might say, 'As Mary Oliver stated, if I've done my work well, I vanish completely from the scene.'
I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
If I have any lasting worth, it will be because I have tried to make people remember what the Earth is meant to look like.
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.
Stories only happen to those who are able to tell them.
I was thinking about what would it be, what would the characters be like, and it just suddenly dawned on me that, hey, nobody is doing an underseas show. So I started drawing these weird invertebrate animals, various characters like crawfish and starfish and squids and sponge.
If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.
To write a symphony is, for me, to construct a world.
Every author in some way portrays himself in his works, even if it be against his will.
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