I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
Mary OliverRead
If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer.
Interpretation
The quote emphasizes the importance of the work itself over the identity of the creator.
Mary Oliver suggests that the best art should stand on its own merit, allowing the audience to engage with the work without being influenced by the biography or personality of the artist. By doing so, the artist enables viewers to connect with the piece more deeply, creating a purer form of appreciation that is about the art rather than the artist.
In practice
In a discussion about the impact of artists on their work, you might say, 'As Mary Oliver stated, if I've done my work well, I vanish completely from the scene.'
I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
If I have any lasting worth, it will be because I have tried to make people remember what the Earth is meant to look like.
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
To disappear your complete self into a character is quite difficult. I've tried it 85 times, and I've succeeded two or three times.
Everything I do is personal. I have never made a movie that didn't have very strong personal resonance.
I've always loved the idea that you think you know what you're looking at from a distance, yet when you come up close, it gets intricate and nutty and obscene and provocative.
I come from a little island with the Caribbean Sea on one side and the Atlantic Ocean on the other. I come from, really, nowhere, and for me, the fiction and the nonfiction, creative or otherwise, all come from the same place.
Rob [Tapert], myself and Bruce Campbell sat in hundreds of drive-insnot hundreds, but tens of drive-ins, watching these movies and learning how they were made, and we started to make our own in Super 8. And thatβs really how we got into horror films. After a while we learned to really like them, and the craft that went into them.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
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