It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
Steven SpielbergRead
I feel I'm all over my movies. I know my movies are all over me.
Interpretation
This quote reflects the deep personal connection that an artist feels with their work and vice versa.
Steven Spielberg's quote expresses the idea that an artist's identity and experiences significantly shape their creations, while at the same time, the art they produce profoundly influences their own self-perception and legacy. It highlights the symbiotic relationship between an artist and their work, suggesting that films not only reflect who he is but also become an integral part of his identity.
In practice
In a film class discussing the emotional depth of a director's work.
It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
When I was a kid, there was no collaboration; it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
I just had a crazy, wild imagination all my life, and science fiction is the greatest outlet for me.
From a very young age, my parents taught me the most important lesson of my whole life: They taught me how to listen. They taught me how to listen to everybody before I made up my own mind. When you listen, you learn. You absorb like a sponge - and your life becomes so much better than when you are just trying to be listened to all the time.
I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.
There are so many rumours about so many of us in the public eye. Sometimes it's too hard to deny what is not true.
My father was an artist. When life was harder and he couldn't get jobs, he painted houses, but he was artistic. When I went to see his work, it was special. Somewhere along the line, I felt I was special. I didn't know why.
I went to the zoo one day and saw a chimp playing with a beat-up acoustic guitar in a way I had never seen before. Instead of using the pick the chimp was banging the neck and tapping it with its fingers. I knew the chimp was on to something so I practiced this new technique in my room for hours until I'd perfected it.
Acutely aware of the poverty of my means, language became obstacle. At every page I thought, 'That's not it.' So I began again with other verbs and other images. No, that wasn't it either. But what exactly was that it I was searching for? It must have been all that eludes us, hidden behind a veil so as not to be stolen, usurped and trivialized. Words seemed weak and pale.
Couldn't imagine any other way of living, outside of books, outside my work. Which doesn't mean I am not interested in other things, of course - I am interested in many things. But the center, the crux, is always literature.
I think pictures and words have the power to make us rich or poor.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
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