We didn't have music videos. You weren't an overnight sensation. You had to work at it and learn your craft: how to take care of your voice, how to pace your concerts, all that trial and error.
Aretha FranklinRead
I'm never tired of going to the studio. I enjoy recording and documenting everything and trying new things.
Interpretation
The quote expresses a passion for creativity and the joy of experimenting in the studio environment.
Aretha Franklin's quote highlights her unwavering enthusiasm for the creative process. She conveys how the studio is not just a workspace, but a place of joy and exploration where she relishes the opportunity to record, document, and innovate, emphasizing the importance of passion and enjoyment in the artistic journey.
In practice
An artist sharing their passion for the creative process on social media.
We didn't have music videos. You weren't an overnight sensation. You had to work at it and learn your craft: how to take care of your voice, how to pace your concerts, all that trial and error.
Trying to grow up is hurting. You make mistakes. You try to learn from them, and when you don't, it hurts even more.
My mentor was Clara Ward of the famous Ward gospel singers of Philadelphia. And my dad was my coach. He coached me. And just my natural love for music is what drove me.
It really is an honor if I can be inspirational to a younger singer or person. It means I've done my job.
In terms of helping people understand and know each other a little better, music is universal - universal and transporting.
Everybody wants respect. In their own way, three-year-olds would like respect, and acknowledgment, in their terms.
It helps me to learn things in different languages, even if it's just phonetically, and to make myself vulnerable to other audiences by trying to reflect back to them the genius of their own cultures, and to do that, oftentimes, in new jazz settings, new arrangements. It's a way to show respect.
Those with prodigious skill in music are better suited for all things.
Abstraction is real, probably more real than nature.
I was drawing a mandolin, and I made the sound hole very small, which made the mandolin look gigantic. I saw that making the details small made the form monumental. So in my figures, the eyes, the mouth are all small, and the exterior form is huge.
You have to be a romantic to invest yourself, your money, and your time in cheese.
What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.
Subscribe for the occasional hand-picked quote. No noise.