When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
Tom WaitsRead
But then I'm one of those guys that is still a bit afraid of the telephone, its implications for conversation. I still wonder if the jukebox might be the death of live music.
Interpretation
This quote reflects concerns about technology's impact on personal interactions and cultural experiences.
In this quote, Tom Waits expresses his apprehension about the telephone and jukebox, highlighting how technological advancements can alter the nuances of communication and artistic expression. He fears that these technologies might diminish the richness of live music and face-to-face conversations, which are vital components of human connection.
In practice
Starting a discussion about technology’s impact on social interactions during a seminar.
When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
If you're in the middle of the ocean with no flippers and no life preserver and you hear a helicopter, this is music. You have to adjust to your needs at the moment.
I knelt at the altar of Ray Charles for years. I worked at a restaurant, and that's all there was on the jukebox.
Don't plant your bad days. They grow into weeks. The weeks grow into months. Before you know it, you got yourself a bad year. Take it from me - choke those little bad days. Choke 'em down to nothing.
My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane.
Now its raining its pouring the old man is snoring now I lay me down to sleep I hear the sirens in the street all my dreams are made of chrome I have no way to get back home I’d rather die before I wake like Marilyn Monroe and throw my dreams out in the street and the rain make ‘em grow
A mob is a society obodies, voluntarily bereaving themselves oreason, and traversing its work. The mob is man, voluntarily descending to the nature othe beast. Its fit hour oactivity is night; its actions are insane, like its whole constitution.
I am alone here in my own mind. There is no map and there is no road. It is one of a kind just as yours is.
It is safest to grasp the concept of the postmodern as an attempt to think the present historically in an age that has forgotten how to think historically in the first place.
To fear death, my friends, is only to think ourselves wise, without being wise: for it is to think that we know what we do not know. For anything that men can tell, death may be the greatest good that can happen to them: but they fear it as if they knew quite well that it was the greatest of evils. And what is this but that shameful ignorance of thinking that we know what we do not know?
The apartment was built at the edge of a high cliff so that when you looked out the back window it seemed as if you were twelve floors up instead of four. It was very much like living on the edge of the world - a last resting place before the final big drop.
When you step further into the story you came to live, not only does the mythic territory open, but the deep self moves and the world of imagination and meaning comes towards you.
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