One of the most incredible and important things about the theater is that we're creating a safe space for all feelings, but especially, ugly feelings.
Branden Jacobs-JenkinsRead
I'm not a really firm believer in theatre that is 'about anything.' I don't think theatre can be about anything other than the people who show up and the value that they hold.
Interpretation
Theatre's true essence lies in the people and their values rather than abstract concepts.
Branden Jacobs-Jenkins expresses the idea that theatre should primarily focus on the human experience and the unique values of the individuals involved, rather than attempting to convey broader or abstract themes. He suggests that the interactions and the diverse perspectives of the audience and performers create a meaningful theatrical experience.
In practice
In a discussion about contemporary theatre, this quote can highlight the importance of audience connection.
One of the most incredible and important things about the theater is that we're creating a safe space for all feelings, but especially, ugly feelings.
I don't hate people who colour-blind cast, but I hate people who colour-blind cast and pretend that they're not, who pretend that these bodies on stage don't actually carry specific meaning.
Family dramas are tough, as a playwright. Most stories are about characters going on a trip or a new character coming to town, because that's how you learn information about them. But with family, they all know each other already. There's years of history in every interaction.
I used to think that animation was about moving stuff. In order to make it really great, you bounce it, squash it, stretch it, make the eyes go big. But, as time went on, I started loving animating a character who had a kind of burning passion in her heart. Suddenly, animation became for me not so much about moving stuff as it was about moving the audience.
I think writer is a word without gender, and a good writer observes, absorbs, hopefully empathizes then translates that into character and story. You don’t have to do or be or have experienced, traveled to, but you have to imagine all of that, very well–and believe it completely during the bubble of the work.
The reason I play music is to touch people - for selfish reasons, as well. It feels good to make someone else feel something, whether it's a kiss, a painting, good idea or it's a song.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
Perhaps I abandoned criticism because I am full of contradictions, and when you write an essay, you are not supposed to contradict yourself. But in the theater, by inventing various characters, you can. My characters are contradictory not only in their language but in their behavior as well.
Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.
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