There is no feeling, except the extremes of fear and grief, that does not find relief in music.
Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.
Interpretation
What this quote means
The quote highlights the evolution of creativity among poets, emphasizing that true artistry involves transformation rather than mere imitation.
T.S. Eliot's quote reflects on the nature of creativity in poetry, suggesting that while immature poets simply copy the works of others, more mature poets are able to incorporate existing ideas, transforming them into something unique. It implies that true artistry lies in the ability to take inspiration from other works and create something that transcends the original, rather than merely defacing or diluting it. A good poet elevates the existing art into a new, more profound expression, showcasing the difference between imitation and innovation.
Themes
In practice
Example use cases
During a lecture on creative writing, one might reference this quote to highlight the importance of developing one's own voice.
More from T. S. Eliot
All quotes →Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
I am an Anglo-Catholic in religion, a classicist in literature and a royalist in politics.
If you aren't in over your head, how do you know how tall you are?
For I have known them all already, known them all— Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons.
In the faint moonlight, the grass is singing
Similar quotes
I'm a failed poet. Maybe every novelist wants to write poetry first, finds he can't, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.
Intolerance respecting other people's religion is toleration itself in comparison with intolerance respecting other people's art.
Most people think I paint fast. I paint very slowly.
She screamed, the high scream that was neither human nor animal but something terrible in between, the sort of sound that you never forget no matter how many beautiful things you hear afterward.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
I like the feeling of words doing as they want to do and as they have to do.