Smell that? You smell that? Napalm, son. Nothing else in the world smells like that. I love the smell of napalm in the morning.
Robert DuvallRead
Look, Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie.
Interpretation
Hollywood is not the only place to create films; creativity can thrive anywhere.
This quote emphasizes that while Hollywood may be the center of the film industry, true artistry and filmmaking ability can be found and expressed anywhere in the world. It inspires aspiring filmmakers to utilize their surroundings as a canvas for storytelling, highlighting that the essence of creating a movie lies in the vision and effort of the filmmaker rather than the location.
In practice
In a film school class, discussing how creativity can thrive outside of traditional settings.
Smell that? You smell that? Napalm, son. Nothing else in the world smells like that. I love the smell of napalm in the morning.
We're all travelers in this world. From the sweet grass to the packing house. Birth 'til death. We travel between the eternities.
Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie.
I'll keep on acting 'til they wipe the drool. I like the business. I like to do different parts and diverse characters. I haven't lost my enthusiasm yet!
Not every successful man is a good father. But every good father is a successful man.
Right from the beginning, I always strived to capture everything I saw as completely as possible.
To understand bad taste one must have very good taste.
What a beautiful testament to the creative spirit and its true motives, to creative contribution coming from a place of purpose rather than a hunger for profit.
You know, I would say that songwriting is something about the expression of the heart, the intellect and the soul.
His neigh is like the bidding of a monarch, and his countenance enforces homage. He is indeed a horse.
The important question has nothing to do with whether the talk in your story is sacred or profane; the only question is how it rings on the page and in your ear. If you expect it to ring true, then you must talk yourself. Even more important, you must shut up and listen to others talk.
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