Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
John SteinbeckRead
So many old and lovely things are stored in the world's attic because we don't want them around us and we don't dare throw them out.
Interpretation
The quote reflects on how we hold onto memories and objects we no longer use but find sentimental value in.
John Steinbeckβs quote highlights the notion that we often keep old and cherished items, not necessarily because we need them, but because they carry memories and cultural significance. This 'attic' of emotions and nostalgia represents both our reluctance to let go of the past and the beauty inherent in our history, even if it no longer serves a practical purpose in our lives.
In practice
This quote can be used in a speech about the importance of preserving history.
Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
At one point, as Samuel urges Adam to raise his boys well regardless of the blood that might be in them, Adam tells him, "You can't make a race horse of a pig." Samuel replies, "No, but you can make a very fast pig.
And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
The comfortable people in tight houses felt pity at first, and then distaste, and finally hatred for the migrant people.
People do not want advice - they want corroboration.
It is one of the triumphs of the human that he can know a thing and still not believe it.
I don't think you can create art out of anger; it has to come out of some form of understanding. You have to feel good about who you are and that you could do something to change things.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.
There is one art of which people should be masters - the art of reflection.
If I were reading a book and happened to strike a wonderful passage I would close the book then and there and go for a walk. I hated the thought of coming to the end of a good book. I would tease it along, delay the inevitable as long as possible, But always, when I hit a great passage, I would stop reading immediately. Out I would go, rain, hail, snow or ice, and chew the cud.
I knew there was something special about the theater for me something beyond the regular reality, something that I could get into and transcend and become something other than myself.
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