Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
John SteinbeckRead
So many old and lovely things are stored in the world's attic because we don't want them around us and we don't dare throw them out.
Interpretation
The quote reflects on how we hold onto memories and objects we no longer use but find sentimental value in.
John Steinbeckβs quote highlights the notion that we often keep old and cherished items, not necessarily because we need them, but because they carry memories and cultural significance. This 'attic' of emotions and nostalgia represents both our reluctance to let go of the past and the beauty inherent in our history, even if it no longer serves a practical purpose in our lives.
In practice
This quote can be used in a speech about the importance of preserving history.
Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
At one point, as Samuel urges Adam to raise his boys well regardless of the blood that might be in them, Adam tells him, "You can't make a race horse of a pig." Samuel replies, "No, but you can make a very fast pig.
And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
The comfortable people in tight houses felt pity at first, and then distaste, and finally hatred for the migrant people.
People do not want advice - they want corroboration.
It is one of the triumphs of the human that he can know a thing and still not believe it.
I mean by a picture a beautiful romantic dream of something that never was, never will be - in a light better than any light that ever shone - in a land no one can define, or remember, only desire
The story was writing itself and I was having a hard time keeping up with it.
The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world.
Art made tongue-tied by authority.
I'll give up this sort of touring madness certainly, but music-everything is based on music. No, I'll never stop my music.
Nothing great or enduring, especially in music, has ever sprung full-fledged and unprecedented from the brain of any master; the best he gives to the world he gathers from the hearts of the people, and runs it through the alembic of his genius.
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