Spring won't let me stay in this house any longer! I must get out and breathe the air deeply again.
Gustav MahlerRead
To write a symphony is, for me, to construct a world.
Interpretation
Creating a symphony is akin to building an entire universe through music.
Gustav Mahler expresses the profound nature of composing a symphony, suggesting that it is not merely about the notes and rhythms, but rather an imaginative process of crafting a complete world that reflects emotions, ideas, and stories. This perspective highlights the transformative power of music as a medium for artistic expression and connection to human experience.
In practice
In a discussion about the impact of music on culture, one might say, 'As Mahler put it, to write a symphony is to construct a world.'
Spring won't let me stay in this house any longer! I must get out and breathe the air deeply again.
The impressions of the spriritual experiences gave my future life its form and content.
I am thrice homeless, as a native of Bohemia in Austria, as an Austrian among Germans, and as a Jew throughout the world. Everywhere an intruder, never welcomed.
I also had a brother who was like me a musician and a composer. A man of great talent, far more gifted than I. He died very young... he killed himself in the prime of his life.
The point is not to take the world's opinion as a guiding star but to go one's way in life and working unerringly, neither depressed by failure nor seduced by applause.
If you think you're boring your audience, go slower not faster.
There's nothing more important in making movies than the screenplay.
Billy Collins writes lovely poems. Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides.
With cold eyes and indifferent mind the spectators regard the work. Connoissers admire the "skill" (as one admires a tightrope walker), enjoy the "quality of painting" (as one enjoys a pasty). But hungry souls go hungry away. The vulgar herd stroll through the rooms and pronounce the pictures "nice" or "splendid." Those who could speak have said nothing, those who could hear have heard nothing.
That's the most important thing to me - that if I'm gonna spend however long it takes to make a movie, give up 14 hours a day for however many weeks or months, then it's very important for me to know that I'm working with people who I respect and enjoy and that we're going for something together.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
If anyone should want to know my name, I am called Leah. And I spend all my time weaving garlands of flowers with my fair hands, t o please me when I stand before the mirror; my sister Rachel sits all the day long before her own, and never moves away. She loves to contemplate her lovely eyes; I love to use my hands to adorn myself: her joy is in reflection, mine in act.
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