My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name.
Sidney PoitierRead
The impact of the black audience is expressing itself. They look to films to be more expressive of their needs, their lives. Hollywood has gotten that message - finally.
Interpretation
This quote highlights the importance of representation in film for the black audience and acknowledges a shift in Hollywood's responsiveness to their needs.
Sidney Poitier emphasizes that the black audience's desire for authentic representation and storytelling in films has finally been recognized by Hollywood. This statement reflects the evolving landscape of cinema, where the diversity of viewer experiences is being increasingly acknowledged, leading to greater inclusivity in film narratives that resonate with the lives and experiences of black individuals.
In practice
During a film discussion panel focused on representation in cinema.
My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name.
My father was the quintessential husband and dad.
I wanted to explore the values that are at work, underpinning my life.
We suffer pain, we hang tight to hope, we nurture expectations, we are plagued occasionally by fears, we are haunted by defeats and unrealized hopes . . . The hoplessness of which I speak is not limited.
We're all imperfect, and life is simply a perpetual, unending struggle against those imperfections.
I was the only Black person on the set. It was unusual for me to be in a circumstance in which every move I made was tantamount to representation of 18 million people.
Sometimes the fragment of a conversation, the color of the sky, the image in a dream, has everything to do with where the song begins.
If artists and poets are unhappy, it is after all because happiness does not interest them.
Architecture is not based on concrete and steel, and the elements of the soil. It's based on wonder.
People tell me they open my e-mails first, because they aren't demands and you don't need to reply. They're simply for pleasure.
All art really does is keep you focused on questions of humanity, and it really is about how do we get on with our maker.
What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
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