Human affairs inspire in noble hearts only two feelings-admiration or pity.
Anatole FranceRead
I cling to my imperfection, as the very essence of my being.
Interpretation
Embracing one's flaws is fundamental to individual identity.
Anatole France's quote emphasizes the importance of accepting one's imperfections as an integral part of who we are. By recognizing that our flaws shape our essence and individuality, we can cultivate a deeper self-acceptance and understanding, ultimately leading to personal growth and authenticity.
In practice
During a personal development workshop, I shared the quote to highlight the importance of self-acceptance.
Human affairs inspire in noble hearts only two feelings-admiration or pity.
Awaken people's curiosity. It is enough to open minds, do not overload them. Put there just a spark.
In its majestic equality, the law forbids rich and poor alike to sleep under bridges, beg in the streets and steal loaves of bread.
Justice is the means by which established injustices are sanctioned
There is a certain impertinence in allowing oneself to be burned for an opinion.
Lovers who love truly do not write down their happiness.
We fill our lives with all sorts of things that make it easier for us to get along in the world: wheelchairs, crutches, grabber sticks, hearing aids, canes, guide dogs, modified vehicles, ramps, as well as other kinds of services and supports. Disability does not necessarily mean dependence on other people.
In the philosophic sense, observation shows and experiment teaches.
I used to get the feeling, and sometimes I still get it, that I was fooling somebody - I don't know who or what - maybe myself. I have feelings some days where there are scenes with a lot of responsibility, and I'll wish, 'Gee, if only I had been a cleaning woman.'
I hear a drum in my soul's ear coming from the depth of the stars.
Thus we never see the true state of our condition till it is illustrated to us by its contraries, nor know how to value what we enjoy, but by the want of it.
I want to gesture toward a poetry of ourselves and others under the conditions of twenty-first-century absolutism, making us dimensional in a time when the human concrete is continually erased by state and religious violence and by disingenuous jargon serving state power.
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