There's an old saying: 'No piece of writing is ever finished, it's just abandoned.' But my own rule is: No piece of work is done until you want to kill everyone involved in the publishing process, especially yourself.
Chuck PalahniukRead
Discovering the 'impossible' ending to a new book makes me sick with joy and relief.
Interpretation
The joy of uncovering unexpected narrative twists in literature can evoke strong emotional responses.
Chuck Palahniuk expresses the thrill that comes from discovering an unforeseen conclusion in a book, highlighting the powerful emotions that literature can invoke. This mixture of joy and relief signifies the satisfaction of being taken on an unpredictable journey, where the outcome defies initial expectations and delivers a profound sense of fulfillment.
In practice
This quote would be perfect to share during a book club discussion to capture the excitement of plot twists.
There's an old saying: 'No piece of writing is ever finished, it's just abandoned.' But my own rule is: No piece of work is done until you want to kill everyone involved in the publishing process, especially yourself.
Griping isn't the same as creating something. Rebelling isn't rebuilding. Ridiculing isn't replacing. We've taken the world apart but we have no idea what to do with the pieces.
If we can forgive whatβs been done to us... If we can forgive what weβve done to others... If we can leave all of our stories behind. Our being villains or victims. Only then can we maybe rescue the world.
We're all trapped. It's always 1734. All of us, we're stuck in the same time capsule, the same as those television shows where the same people are marooned on the same desert island for thirty seasons and never age or escape. They just wear more makeup. In a creepy way, those shows are maybe too authentic.
One thing I really envy about my friends who have kids is that as their children develop, they're able to revisit their own developmental stages and recognise themselves and undo a lot of things they decided.
If you knew that your life was merely a phase or short, short segment of your entire existence, how would you live? Knowing nothing 'real' was at risk, what would you do? You'd live a gigantic, bold, fun, dazzling life. You know you would. That's what the ghosts want us to do - all the exciting things they no longer can.
I took a straight picture that made me look like a thirty-year-old Italian who'd kill anybody who said something against his mother.
If you know exactly what you're going to do, what's the good in doing _x000D_ it?
The ambition of superior sensibility and superior eloquence disposes the lovers of arts to receive rapture at one time, and communicate it at another; and each labors first to impose upon himself and then to propagate the imposture.
As far as the filmmaking process is concerned, stars are essentially worthless - and absolutely essential.
A rapid rendering of a landscape represents only one moment of its existence. I prefer, by insisting upon its essential character, to risk losing charm in order to gain greater stability.
I see myself first and foremost as a student of expression.
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