There's an old saying: 'No piece of writing is ever finished, it's just abandoned.' But my own rule is: No piece of work is done until you want to kill everyone involved in the publishing process, especially yourself.
Chuck PalahniukRead
Discovering the 'impossible' ending to a new book makes me sick with joy and relief.
Interpretation
The joy of uncovering unexpected narrative twists in literature can evoke strong emotional responses.
Chuck Palahniuk expresses the thrill that comes from discovering an unforeseen conclusion in a book, highlighting the powerful emotions that literature can invoke. This mixture of joy and relief signifies the satisfaction of being taken on an unpredictable journey, where the outcome defies initial expectations and delivers a profound sense of fulfillment.
In practice
This quote would be perfect to share during a book club discussion to capture the excitement of plot twists.
There's an old saying: 'No piece of writing is ever finished, it's just abandoned.' But my own rule is: No piece of work is done until you want to kill everyone involved in the publishing process, especially yourself.
Griping isn't the same as creating something. Rebelling isn't rebuilding. Ridiculing isn't replacing. We've taken the world apart but we have no idea what to do with the pieces.
If we can forgive whatβs been done to us... If we can forgive what weβve done to others... If we can leave all of our stories behind. Our being villains or victims. Only then can we maybe rescue the world.
We're all trapped. It's always 1734. All of us, we're stuck in the same time capsule, the same as those television shows where the same people are marooned on the same desert island for thirty seasons and never age or escape. They just wear more makeup. In a creepy way, those shows are maybe too authentic.
One thing I really envy about my friends who have kids is that as their children develop, they're able to revisit their own developmental stages and recognise themselves and undo a lot of things they decided.
If you knew that your life was merely a phase or short, short segment of your entire existence, how would you live? Knowing nothing 'real' was at risk, what would you do? You'd live a gigantic, bold, fun, dazzling life. You know you would. That's what the ghosts want us to do - all the exciting things they no longer can.
I look back on those early days in the theater like the beginning of a love affair, when you're totally in love with the work, and that's all there is.
True art is creation, and creation is beyond all theories. That is why I say to any beginner: Learn your theories as well as you can, but put them aside when you touch the miracle of the living soul. Not theories but your own creative individuality alone must decide.
The way a character looks reflects what's on the inside. I can make myself look really bad, and I can make myself look kind of gorgeous. It's not about me; it's about the character.
The poet makes silk dresses out of worms.
Sometimes female characters start out as the wife or girlfriend, but then I realize, 'No, she's the book,' and she becomes a main character. I surrender the book to her.
You use a glass mirror to see your face; you use works of art to see your soul.
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