There's an old saying: 'No piece of writing is ever finished, it's just abandoned.' But my own rule is: No piece of work is done until you want to kill everyone involved in the publishing process, especially yourself.
Chuck PalahniukRead
Discovering the 'impossible' ending to a new book makes me sick with joy and relief.
Interpretation
The joy of uncovering unexpected narrative twists in literature can evoke strong emotional responses.
Chuck Palahniuk expresses the thrill that comes from discovering an unforeseen conclusion in a book, highlighting the powerful emotions that literature can invoke. This mixture of joy and relief signifies the satisfaction of being taken on an unpredictable journey, where the outcome defies initial expectations and delivers a profound sense of fulfillment.
In practice
This quote would be perfect to share during a book club discussion to capture the excitement of plot twists.
There's an old saying: 'No piece of writing is ever finished, it's just abandoned.' But my own rule is: No piece of work is done until you want to kill everyone involved in the publishing process, especially yourself.
Griping isn't the same as creating something. Rebelling isn't rebuilding. Ridiculing isn't replacing. We've taken the world apart but we have no idea what to do with the pieces.
If we can forgive whatβs been done to us... If we can forgive what weβve done to others... If we can leave all of our stories behind. Our being villains or victims. Only then can we maybe rescue the world.
We're all trapped. It's always 1734. All of us, we're stuck in the same time capsule, the same as those television shows where the same people are marooned on the same desert island for thirty seasons and never age or escape. They just wear more makeup. In a creepy way, those shows are maybe too authentic.
One thing I really envy about my friends who have kids is that as their children develop, they're able to revisit their own developmental stages and recognise themselves and undo a lot of things they decided.
If you knew that your life was merely a phase or short, short segment of your entire existence, how would you live? Knowing nothing 'real' was at risk, what would you do? You'd live a gigantic, bold, fun, dazzling life. You know you would. That's what the ghosts want us to do - all the exciting things they no longer can.
To write requires an ego, a belief that what you say matters. Writing also requires an aching curiosity leading you to discover, uncover, what is gnawing at your bones.
Movies become living organisms that graduate from a filmmaker's sphere of influence and pretty much look back and tell you how they need to be said goodbye to. A movie often turns around and looks at you and says, "Here is who I am, and that's maybe now how you see me, but that's who I've become." And you've got to be open enough to go with that.
I was going to go to a four-year college and be an anthropologist or to an art school and be an illustrator when a friend convinced me to learn photography at the University of Southern California. Little did I know it was a school that taught you how to make movies! It had never occurred to me that I'd ever have any interest in filmmaking.
My life is shaped by the urgent need to wander and observe, and my camera is my passport.
Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull.
Mystery is like a kind of atmosphere which bathes the greatest works of the masters.
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