It's incumbent on us to reach beyond the confines of the institutions that traditionally produce art and find new ways to get it to the people.
Interpretation
We must seek innovative methods to share art with the public, rather than relying solely on traditional institutions.
In this quote, Lynn Nottage emphasizes the responsibility of artists and art producers to transcend the limitations of established institutions, such as galleries and theaters, which may restrict access to art. She advocates for finding new approaches to deliver art directly to the people, thus fostering a broader appreciation and engagement with artistic expressions.
In practice
During an art symposium, to highlight the importance of community engagement in the arts.
People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process.
There were not a lot of women in the theater department - it was really run by men, and so the message was that women can be onstage, but women can't really be backstage.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'
Once working people discover that, collectively, we have more power than we do as individual silos, then we become an incredibly powerful force. But I think that there are powers that be that are invested in us remaining divided along racial lines, along economic lines.
My grandfather was a Pullman porter, and my father put his way through college by cleaning floors at night in the libraries. I understand that working people are in some way the bedrock of my existence and the existence of many people here.
Fiction is based on reality unless you're a fairytale artist.
Our language needs endless synonyms for beautiful; the eyes could see what the tongue cannot possibly describe.
Everyone else thinks I'm a nonfiction writer. I think it's because my nonfiction is easier to find. But I write both in equal measure. I love writing fiction because I can totally lose myself, and I get to make up the rules of the world that I'm writing.
I started out in this business in rock and roll bands and stumbled into drag. Drag just happened to be my vehicle for my creativity. So, you know, it's afforded me the opportunity to create new shows, to make music.
My voice is unadorned. I don't try for perfection. I try to be honest and truthful and soulful with the voice I have. If I make mistakes in notes, or there are cracks in notes, I don't fix them. That's the way it is.
Architecture is always the will of the age conceived as space - nothing else. Until this simple truth is clearly recognized, the struggle over the foundation of a new architecture confident in its aims and powerful in its impact cannot be realized; until then, it is destined to remain a chaos of uncoordinated forces.
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