There were not a lot of women in the theater department - it was really run by men, and so the message was that women can be onstage, but women can't really be backstage.
Interpretation
The quote highlights the gender disparity in theater, where women are often limited to onstage roles and excluded from key behind-the-scenes positions.
Lynn Nottage's quote reflects on the historical imbalance in the theater department, revealing a culture dominated by men that suggests women are only suitable for performance roles while being systematically denied access to important behind-the-scenes opportunities. This observation sheds light on broader societal issues regarding gender roles and representation in the arts and in professional settings.
In practice
In a speech about gender equality in the arts.
People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'
Once working people discover that, collectively, we have more power than we do as individual silos, then we become an incredibly powerful force. But I think that there are powers that be that are invested in us remaining divided along racial lines, along economic lines.
It's incumbent on us to reach beyond the confines of the institutions that traditionally produce art and find new ways to get it to the people.
My grandfather was a Pullman porter, and my father put his way through college by cleaning floors at night in the libraries. I understand that working people are in some way the bedrock of my existence and the existence of many people here.
I can't wait for the day when it is no longer newsworthy that a woman is appointed editor of a newspaper.
I love being a woman and I was not one of these women who rose through professional life by wearing men's clothes or looking masculine. I loved wearing bright colors and being who I am.
WHEN AT 15, MY GIRLFRIENDS STARTED DROPPING OUT OF THEIR BELOVED SPORTS TEAMS, BECAUSE THEY DIDN'T WANT TO APPEAR MUSCLE-Y, WHEN AT 18, MY MALES FRIENDS WERE UNABLE TO EXPRESS THEIR FEELINGS, I DECIDED THAT I WAS A FEMINIST.
When God created man and woman, he was thinking, 'Who shall I give the power to, to give birth to the next human being?' And God chose woman. And this is the big evidence that women are powerful.
In my own case, I had to train myself out of that phony smile, which is like a nervous tic on every teenage girl. And this meant that I smiled rarely, for in truth, when it came down to real smiling, I had less to smile about. My 'dream' action for the women's liberation movement: a smile boycott, at which declaration all women would instantly abandon their 'pleasing' smiles, henceforth smiling only when something pleased them.
More countries have understood that women's equality is a prerequisite for development.
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