Revenge is sweeter than life itself. So think fools.
JuvenalRead
An incurable itch for scribbling takes possession of many, and grows inveterate in their insane breasts.
Interpretation
The quote reflects the uncontrollable desire to write, which can become a persistent obsession.
Juvenal highlights a profound and often uncontrollable passion for writing that exists within many individuals. This 'incurable itch' symbolizes a deep-seated need to express oneself through the written word, suggesting that for some, this desire is so intense that it can border on obsession, leading to an unquenchable thirst for creation and artistic expression.
In practice
This quote would be perfect to include in a speech at a literary festival to highlight the passion for writing.
Revenge is sweeter than life itself. So think fools.
Peace visits not the guilty mind.
Poverty is bitter, but it has no harder pang than that it makes men ridiculous.
All wish to possess knowledge, but few, comparatively speaking, are willing to pay the price.
This is his first punishment, that by the verdict of his own heart no guilty man is acquitted.
A lucky man is rarer than a white crow.
A writerβs life is in his work, and that is the place to find him.
In my opinion, trying to guess what readers want is the wrong approach. You have to tell your story as best you can and as true to yourself as possible. You have to be honest and fair and vulnerable and foolish and brave, and not care what anyone thinks of it.
Close the door. Write with no one looking over your shoulder. Don't try to figure out what other people want to hear from you; figure out what you have to say. It's the one and only thing you have to offer.
You can't perish because of your own feelings; you have to embrace those things as an actor because it's part of your palette.
After a point of time, when you get success and fame, money and everything, the purpose of life has to be redefined. For me, I think that purpose is to build bridges. Artists can do that very easily, more than politicians.
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
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