We must never expect discretion in first love: it is accompanied by such excessive joy that unless the joy is allowed to overflow, it will choke you.
Through the ingenuousness of her age beamed an ardent mind, a mind not of the women but of the poet; she did not please, she intoxicated.
Interpretation
What this quote means
The quote describes a young woman whose intelligence and poetic nature captivate those around her in a profound way.
In this quote, Alexandre Dumas highlights the unique charm of a young woman's mind, suggesting that her creativity and intensity surpass conventional expectations. Rather than merely pleasing others with superficial beauty, she possesses a deeper allure that resonates like poetry, intoxicating those who encounter her. This notion reflects the impact of artistry and originality in human interactions, emphasizing that true influence stems from a compelling intellect and spirit.
Themes
In practice
Example use cases
A speaker at a literary festival might use this quote to illustrate the power of artistic expression.
More from Alexandre Dumas
All quotes βThere are two ways of seeing: with the body and with the soul. The body's sight can sometimes forget, but the soul remembers forever.
I do not often laugh, sir, as you may perceive by the air of my countenance; but nevertheless, I retain the privilege of laughing when I please.
There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness.
Those born to wealth, and who have the means of gratifying every wish, know not what is the real happiness of life, just as those who have been tossed on the stormy waters of the ocean on a few frail planks can alone realize the blessings of fair weather.
It is the way of weakened minds to see everything through a black cloud. The soul forms its own horizons; your soul is darkened, and consequently the sky of the future appears stormy and unpromising
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At Vienna, one of the audience affirmed publicly that my performance was not surprising, for he had distinctly seen, while I was playing my variations, the devil at my elbow, directing my arm and guiding my bow. My resemblance to the devil was a proof of my origin.
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I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.
I can communicate far better on a guitar than I can through my mouth.