I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.
Richard SerraRead
What interests me is the opportunity for all of us to become something different from what we are, by constructing spaces that contribute something to the experience of who we are.
Interpretation
The quote emphasizes the transformative power of art and space in shaping our identities.
Richard Serra's quote reflects the idea that art and the environments we create can profoundly impact our sense of self and personal growth. It suggests that through artistic expression and the construction of meaningful spaces, we have the potential to evolve and become new versions of ourselves, influenced by our experiences within these spaces.
In practice
During an art exhibition, one might share this quote to discuss how the artworks change visitors' perceptions.
I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.
But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.
If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.
People ask me: ‘What is punk? How do you define punk?' Here's how I define punk: It's a free space. It could be called jazz. It could be called hip-hop. It could be called blues, or rock, or beat. It could be called techno. It's just a new idea. For me, it was punk rock. That was my entrance to this idea of the new ideas being able to be presented in an environment that wasn't being dictated by a profit motive.
All intervening steps, scribbles, sketches, drawings, failed work models, studies thoughts, conversations, are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product
Photography is the easiest thing in the world if one is willing to accept pictures that are flaccid, limp, bland, banal, indiscriminately informative, and pointless. But if one insists in a photograph that is both complex and vigorous it is almost impossible
I'd rather be dead than singing "Satisfaction" when I'm forty-five.
Fifth positions, heads, musicality, energy. Not technical things so much-getting your leg higher or doing more turns but things that would set you apart from other dancers. The only way you can be different is to be yourself if you don't find your spirit and reveal it, you just look like every other dancer.
When the script is finished, and you're sitting around at a table read, and all the actors are reading the words that you've written, and you're hearing it out loud for the first time, that is always, every single time, no matter what, a magical process.
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