I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.
Richard SerraRead
What interests me is the opportunity for all of us to become something different from what we are, by constructing spaces that contribute something to the experience of who we are.
Interpretation
The quote emphasizes the transformative power of art and space in shaping our identities.
Richard Serra's quote reflects the idea that art and the environments we create can profoundly impact our sense of self and personal growth. It suggests that through artistic expression and the construction of meaningful spaces, we have the potential to evolve and become new versions of ourselves, influenced by our experiences within these spaces.
In practice
During an art exhibition, one might share this quote to discuss how the artworks change visitors' perceptions.
I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.
But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.
If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.
Sweet bird, that shun the noise of folly, most musical, most melancholy!
The drama's laws the drama's patrons give._x000D_ _x000D_ For we that live to please must please to live.
The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you can produce beauty in the context of a figure that has that kind of velvety blackness. It can be done.
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
A story is a living thing, it moves and shifts.
Music is the only religion that delivers the goods.
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