Everything is complicated; if that were not so, life and poetry and everything else would be a bore.
Wallace StevensRead
Intolerance respecting other people's religion is toleration itself in comparison with intolerance respecting other people's art.
Interpretation
Disrespect for others' art is worse than disrespect for their religion.
Wallace Stevens highlights the severity of intolerance towards artistic expressions compared to religious beliefs. While both are forms of personal truth and identity, undermining someone's art reveals a deeper form of intolerance, as art often reflects the essence of human experience and emotional depth, making it arguably more fundamental to individual expression and culture.
In practice
During an art critique session, I shared this quote to emphasize the importance of respecting diverse artistic perspectives.
Everything is complicated; if that were not so, life and poetry and everything else would be a bore.
Most modern reproducers of life, even including the camera, really repudiate it. We gulp down evil, choke at good.
After one has abandoned a belief in God, poetry is that essence which takes its place as life's redemption.
Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams?
LIGHT FROM WITHIN my friend, cancer got you damn it: you had it beat for seven years at least. how did it come back? Why all that pain. again. and you, such a fighter you fought me over and over with tears and words and promises. you fought for me with honesty and a light so bright it hurts my heart. sweet lorna. at peace now finally no more battles, just light from within a flickering candle in the dark burns with you.
Unfortunately there is nothing more inane than an Easter carol. It is a religious perversion of the activity of Spring in our blood.
Why can't I write something that would awake the dead? That pursuit is what burns most deeply.
I did documentary film for a long time, and I spent a lot of time behind the camera, fervently wishing that the reality I was filming would conform to my narrative propriety. But you can't control it.
A good design is not a democratic consensus.
The realists do not take the photograph for a 'copy' of reality, but for an emanation of past reality, a magic, not an art.
When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.
If you dont [sic] say what you want, what's the sense of writing?
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