. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Eavan BolandRead
I had grown up as an Irish poet in a country where the distance between vision and imagination was not quite as wide as in some other countries.
Interpretation
The quote reflects on the close relationship between vision and imagination in Ireland, particularly in the context of poetry.
Eavan Boland's quote highlights her experience as an Irish poet, suggesting that the cultural environment in Ireland allows for a more harmonious relationship between what one envisions and what one imagines. In some countries, this gap might be wider, indicating that the Irish landscape and its literary tradition facilitate a unique creative process where vision and imagination work together seamlessly.
In practice
In a discussion about the influence of culture on artistic expression.
. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Poetry begins where language starts: in the shadows and accidents of one personβs life.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
There is nothing settled about a poet's identity. The becoming doesn't stop because the being has been achieved. They proceed together, attached in ways that are hard to be exact about.
If a poet does not tell the truth about time, his or her work will not survive it. Past or present, there is a human dimension to time, human voices within it, and human griefs ordained by it.
Our present will become the past of other men and women. We depend on them to remember it with the complexity with which it was suffered. As others, once, depended on us.
Short fiction is the medium I love the most, because it requires that I bring everything I've learned about poetry - the concision, the ability to say something as vividly as possible - but also the ability to create a narrative that, though lacking a novel's length, satisfies the reader.
My whole theory about art is the disparity that exists between form, masses and movement.
Nothing I force myself to write about ever turns out well, and so I've learned to wait for the voice, the incident, the image that reverberates.
It's a very nice kind of quasi-fame being a writer, because you remain largely anonymous and you can have a private life, which I really cherish. I don't like to be in the public light all that much. I don't crave the whole fame thing at all.
On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
Art is the creation of forms symbolic of human feeling.
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