You can't kill the past by denying the past. You can kill it only by making it obsolete. And even in that, you have to find honor in the past. You can't hack off pieces of yourself, and expect them to grow again.
Jeff BuckleyRead
I've always felt that the quality of the voice is where the real content of a song lies. Words only suggest an experience, but the voice is that experience.
Interpretation
The essence of a song is conveyed through the quality of the voice rather than just the words.
Jeff Buckley emphasizes that in music, the emotional depth and true experience of a song stem from the singer's voice, which goes beyond the mere lyrics. While words can provide a framework for understanding, it is the voice that truly brings the song to life and communicates its feelings.
In practice
In a discussion about the impact of music in a concert review.
You can't kill the past by denying the past. You can kill it only by making it obsolete. And even in that, you have to find honor in the past. You can't hack off pieces of yourself, and expect them to grow again.
I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing. When is it that the voice becomes an elixir? It's during flirting, courtship, sex. Music's all that.
Critics... They're like traffic cops. They say what they have to say, then leave, and another guy moves in ,and he has his say - and it's often just the opposite. The result is either critical acclaim or critical murder, and neither has any bearing on my music or direction.
Grace is what matters. In anything. Especially life, especially growth, tragedy, pain, love, death. About people, that's what matters. That's a quality I admire very greatly. It keeps you from reaching for the gun too quickly; it keeps you from destroying things too foolishly; it sort of keeps you alive and keeps you open for more understanding.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
I'm lying in my bed, blanket is warm, this body will never keep me safe from harm. I still feel your hair, black ribbons of coal. Touch my skin to keep me whole. If only you'd come back to me. To feel you at my side, wouldn't need no Mojo Pin to keep me satisfied.
Films like Fargo are why I love the movies.
Every time I try to retire, or even think of retiring from acting, my agent comes up with a script.
Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.
The theater has to impose itself on the public, and not the public on the theater... The word "Art" should be written everywhere, in the auditorium and in the dressing rooms, before the word "Business" gets written there.
It's a good question, because a movie isn't good or bad based on its politics. It's usually good or bad for other reasons, though you might agree or disagree with its politics.
The world concerns me only in so far as I feel a certain indebtedness and duty toward it because I have walked this earth for thirty years, and, out of gratitude, want to leave some souvenir in the shape of drawings or pictures β not made to please a certain taste in art, but to express a sincere human feeling.
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