We're all just animals. That's all we are, and everything else is just an elaborate justification of our instincts. That's where music comes from. And romantic poetry. And bad novels.
Elvis CostelloRead
I've had a lot of different experiences in music over the years.And not everything you do can satisfy everybody's idealised version of you.
Interpretation
Not every artistic endeavor will meet everyoneβs expectations or ideals.
Elvis Costello reflects on his diverse experiences in music, acknowledging that no matter how hard one tries, it is impossible to please everyone consistently. This insight reveals the complexities of creative expression, where personal authenticity often conflicts with public perception and expectation.
In practice
During a speech at an artist's gathering, one might use this quote to emphasize the importance of staying true to oneself.
We're all just animals. That's all we are, and everything else is just an elaborate justification of our instincts. That's where music comes from. And romantic poetry. And bad novels.
There are five things to write songs about: I'm leaving you. You're leaving me. I want you. You don't want me. I believe in something. Five subjects, and 12 notes. For all that, we musicians do pretty well.
It's the damage that we do and never know. It's the words that we don't say that scare me so.
And I don't feel any form of music is beyond me in the sense of that I don't understand it or I don't have some love for some part of it.
Happiness isn't a fortune in a cookie. It's deeper, wider, funnier, and more transporting than that.
I believe that music is connected by human passions and curiosities rather than by marketing strategies.
You want to figure out how you want to play the guitar; what your niche would be. Well you just start digging deeper. When you're digging deeper in rock and roll you're on a freight train heading straight for the blues.
The music of ABBA is not that happy. It might sound happy, in some strange way, but deep within, it's not happy music. It has that Nordic melancholic feeling to it. What fools you is the girls' voices. You know, I do think that is one of the secrets about ABBA. Even when we were really quite sad, we always sounded jubilant.
The bass is the link between harmony and rhythm. It is the foundation of a band. It is what all the other instruments stand upon, but it is rarely recognized as that.
When I was eight, my piano teacher played seven or eight notes, and I sang them. She stopped and looked at me in shock! That was the first time I'd gotten that reaction. I'd had looks of horror, but never shock in a positive way.
One of the things that touches me most when I play for an audience is that although we may be unable to communicate in words or have diametrically opposed views on hot-button issues, while the music sounds we can be at peace, we can be friends. The vibrations that fill an auditorium have no passports, and they unite ears when hearts may be divided.
I'm not a star. I'll never be a Frank Sinatra or Elvis Presley or a Ray Charles. I'm just an imitator, man. I'm doing a very bad imitation on the bass of Jerry Jemmott, Bernard Odum, Jimmy Fielder, Jimmy Blanton, Igor Stravinsky, Jimi Hendrix, John Coltrane, James Brown, Charlie Parker... the cats, man. I'm just backing up the cats.
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