The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Louis ArmstrongRead
If you have to ask what jazz is, you'll never know.
Interpretation
Understanding jazz goes beyond just asking questions; it involves an experiential grasp of the art form.
This quote by Louis Armstrong suggests that jazz is an art form that cannot be fully comprehended through mere inquiry or intellectual exploration. Instead, it implies that true understanding comes from personal experience and immersion in the music itself. The essence of jazz lies in its improvisational nature and emotional expression, which words alone cannot capture, signifying that some things in life must be felt to be understood.
In practice
This quote can be used in a speech about the importance of experiencing art rather than just studying it.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Making money ain't nothing exciting to me. You might be able to buy a little better booze than the wino on the corner. But you get sick just like the next cat and when you die you're just as graveyard dead as he is.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
My whole life, my whole soul, my whole spirit is to blow that horn.
I've Got the World on a String.
It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong
Rock n' roll means so much more to people; it enriches the culture. Also, it inspires people; there's no half-feeling. When I first got into it, I was inspired by people who had come before me, and I found myself in the position of handing that on.
I'm one of a dying breed who goes out and tours all the time. Labels don't spend the money to send people out to play before they become famous, but we did do that so the fans we have are word of mouth fans who have been travelling around with us for years, and they buy the albums, but they are also the ones who go out and get the bootlegs. I don't discourage bootlegging, I like playing live, I don't think it hurts my album sales at all if there are bootlegs out there. Who cares?
Hearing a whole entire room sing back to me, 'I guess it's true I'm not good at a one-night stand,' you know, I just can't explain the feeling. It's unreal. You feel like you've just read your diary to thousands of people and they've gone, 'It's okay. We still love you.'
In an age of incompetence, I've been able to last in this crazy business. I actually know how to play my ax and write a song. That's my job.
Let's face it. Rock and Roll is bigger than all of us
My pops and my mom started playing Marvin Gaye and the Isley Brothers and all these people, but at the same time, they always had Snoop on right behind it in the same mix.
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