The function of a book or a poem or a story is to delight, to enchant, to beguile.
Philip PullmanRead
Looking at them now, thought Jim, you'd never believe they weren't in love with each other, and not with a hopeless, doomed obsession like poor Isabel Meredith. This was what love ought to be like: playful and passionate and teasing, and dangerous, too, with sharp intelligence in it.
Interpretation
The quote describes an idealized view of love as playful and passionate rather than hopeless and obsessive.
Philip Pullman reflects on the nature of love, suggesting that true love should embody qualities such as playfulness, passion, and intelligence, contrasting it with the despairing nature of obsessive love. He implies that a healthy relationship is dynamic and engaging, filled with joy and a hint of danger, rather than being consumed by hopelessness.
In practice
In a romantic relationship discussion, one might reference this quote to highlight the ideal qualities of love.
The function of a book or a poem or a story is to delight, to enchant, to beguile.
Education and health were always matters of charity. You educated children and you helped the sick because they were good things to do, not because you were going to make money out of them. If you let the money-making principle, the profit-seeking motive, anywhere near education and health, things go bad.
To get the best out of life here ...Good grief. There's plenty of it about, so indulge. Give yourself some thing to remember. Fall in love. Fall out of love. Gamble. Get drunk. See how long you can stay awake. Go for long walks at night. Discover what you're afraid of doing, and then do it.
People should decide on the books' meanings for themselves. They'll find a story that attacks such things as cruelty, oppression, intolerance, unkindness, narrow-mindedness, and celebrates love, kindness, open-mindedness, tolerance, curiosity, human intelligence.
I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness; he looked so deep I felt sure he'd see the truth. But I lied too well. I was lying with every nerve and fiber and everything I'd ever done...I wanted him to find no good in me, and he didn't. There is none.
Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.
I am the lover's gift; I am the wedding wreath; I am the memory of a moment of happiness; I am the last gift of the living to the dead; I am a part of joy and a part of sorrow.
But I can tell - let truth be told - That love will change in growing old; Though day by day is nought to see, So delicate his motions be.
I care about me now. When I didn't care about me, I was, like, 'Why is this going wrong? Why is my life so bad?' But when you don't care about yourself, nobody else is going to care about you. So I learned to love myself, even if nobody else does.
Sometimes at night I think that my husband is with me again, coming gently through the mists, and we are tranquil together. Then the morning comes, the wavering grey turns to gold, there is stirring within me as the sleepers awake, and he softly departs.
Everyone has love, but it can only come out when he is convinced of the impossibility and the frustration of trying to love himself.
Somewhere there was once a Flower, a Stone, a Crystal, a Queen, a King, a Palace, a Lover and his Beloved, and this was long ago, on an Island somewhere in the ocean 5,000 years ago. . . . Such is Love, the Mystic Flower of the Soul. This is the Center, the Self.
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