some mornings... I sit at the kitchen table shaking salt into the hairs on my arm, and a feeling shoves up in me: it's finished. Everything went past without me.
Jennifer EganRead
It's our job as fiction writers to provide a delight that nothing else can - to such a degree that people have no choice but to read our work. Now that's a very tall order, if not impossible. But why not try?
Interpretation
Fiction writers aim to create an extraordinary experience that compels readers to engage with their work.
This quote emphasizes the unique responsibility of fiction writers to craft stories that offer unparalleled enjoyment and fulfillment to readers. Egan acknowledges the challenge inherent in this pursuit, suggesting that while it may seem impossible to achieve such a profound impact, the effort to do so is worthy and essential in the realm of literature.
In practice
In a writer's workshop to inspire fellow authors.
some mornings... I sit at the kitchen table shaking salt into the hairs on my arm, and a feeling shoves up in me: it's finished. Everything went past without me.
I think there are ways in which we censor ourselves; that's the most dangerous kind of censorship - that's how hegemony works.
I find myself thinking more about the past as I get older... maybe because there's just more of it to think about. At the same time, I'm less haunted by it than I was as a younger person. I guess that's probably the ideal: to reach a point where you have access to all of your memories, but you don't feel victimized by them.
I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.
And Alex understood that Scotty Hausmann did not exist. He was a word casing in human form: a shell whose essence has vanished.
We live in a moment and a culture when reading is really endangered. There's simply no way to write well, though, if you're not reading well.
It dawned on me that comics were not an intrinsically limited medium. There was a tremendous amount of things you could do in comics that you couldn't do in other art forms - but no one was doing it. I figured if I'd make a try at it, I'd at least be a footnote in history.
Do I watch dancers as people? Yes, absolutely. Do I watch really good dancers for specifically who they are? Absolutely, because how they move best and how they look best is going to be most familiar to them, and not necessarily to me.
We may feel bitterly how little our poems can do in the face of seemingly out-of-control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation, show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.
In making movies, time is so short-because it is so expensive-that we tend to neglect the place from which the best ideas come, namely that part of ourselves that dreams. The unconscious is our best collaborator.
She adored all beautiful things in their every curve and fragrance, so that they became part of her. Day by day, she gathered beauty; had she had no heart (she who was the bosom of womanhood) her thoughts would still have been as lilies, because the good is the beautiful.
Drag is literally so ancient that it predates modern understanding of gender, of transness, of queerness. Drag predates modern ideas of gender, of theater at all. Drag predates the word 'drag' itself.
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