No one's ever dared come out and say it before, but there's not a man among us that doesn't think it, that doesn't feel just as you do about her and the whole business - feel it somewhere down deep in his scared little soul.
Ken KeseyRead
The job is to seek mystery, evoke mystery, plant a garden in which strange plants grow and mysteries bloom. The need for mystery is greater than the need for an answer.
Interpretation
This quote emphasizes the importance of embracing and cultivating mystery rather than solely seeking definite answers.
Ken Kesey's quote highlights the value of mystery in art and life. He suggests that rather than striving to always find clear answers, we should focus on inspiring curiosity and wonder, allowing for growth and exploration in a metaphorical garden where the unknown can flourish. This perspective invites us to appreciate the journey of discovery and the beauty found in enigmatic experiences.
In practice
During an art discussion, this quote can be used to encourage the audience to appreciate the unknown in creative expressions.
No one's ever dared come out and say it before, but there's not a man among us that doesn't think it, that doesn't feel just as you do about her and the whole business - feel it somewhere down deep in his scared little soul.
His whole body shakes with the strain as he tries to lift something he knows he can't lift, something everybody knows he can't lift. But, for just a second, when we hear the cement grind at our feet, we think, by golly, he might do it.
You've got to get out and pray to the sky to appreciate the sunshine; otherwise you're just a lizard standing there with the sun shining on you.
But I remember one thing:_x000D_ _x000D_ it wasn't me that started acting deaf;_x000D_ _x000D_ it was people that first started acting like_x000D_ _x000D_ I was too dumb to hear or see or say anything at all
If this glorious birth to death hassle is the only hassle we are ever to have ..if our grand exhilarating fight of life is such a tragically short little scrap anyway,compared to the eons of rounds before and after-then why should one want to relinquish even a few precious seconds of it?
He was in his chair in the corner, resting a second before he came out for the next round -- in a long line of next rounds. The thing he was fighting, you couldn't whip it for good. All you could do was keep on whipping it, till you couldn't come out anymore and somebody else had to take your place.
Before I was born my mother was in great agony of spirit and in a tragic situation. She could take no food except iced oysters and champagne. If people ask me when I began to dance, I reply 'In my mother's womb, probably as a result of the oysters and Champagne.'
I believe in broken, fractured, complicated narratives, but I believe in narratives as a vehicle for truth, not simply as a form of entertainment, though I love entertainment, but also a way of conveying what needs to be conveyed about the works that I care about.
Speed is scarcely the noblest virtue of graphic composition, but it has its curious rewards. There is a sense of getting somewhere fast, which satisfies a native American urge.
When you're a ranchera singer, you represent your country. It's a God-given gift.
The theatre is supremely fitted to say: 'Behold! These things are.' Yet most dramatists employ it to say: 'This moral truth can be learned from beholding this action.'
The music you make is shaped by what you play it on ... if you feel that you're not getting enough out of a song, change the instrument - go from an acoustic to an electric or vice versa, or try an open tuning ... do something to shake it up.
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