No one's ever dared come out and say it before, but there's not a man among us that doesn't think it, that doesn't feel just as you do about her and the whole business - feel it somewhere down deep in his scared little soul.
Ken KeseyRead
The job is to seek mystery, evoke mystery, plant a garden in which strange plants grow and mysteries bloom. The need for mystery is greater than the need for an answer.
Interpretation
This quote emphasizes the importance of embracing and cultivating mystery rather than solely seeking definite answers.
Ken Kesey's quote highlights the value of mystery in art and life. He suggests that rather than striving to always find clear answers, we should focus on inspiring curiosity and wonder, allowing for growth and exploration in a metaphorical garden where the unknown can flourish. This perspective invites us to appreciate the journey of discovery and the beauty found in enigmatic experiences.
In practice
During an art discussion, this quote can be used to encourage the audience to appreciate the unknown in creative expressions.
No one's ever dared come out and say it before, but there's not a man among us that doesn't think it, that doesn't feel just as you do about her and the whole business - feel it somewhere down deep in his scared little soul.
His whole body shakes with the strain as he tries to lift something he knows he can't lift, something everybody knows he can't lift. But, for just a second, when we hear the cement grind at our feet, we think, by golly, he might do it.
You've got to get out and pray to the sky to appreciate the sunshine; otherwise you're just a lizard standing there with the sun shining on you.
But I remember one thing:_x000D_ _x000D_ it wasn't me that started acting deaf;_x000D_ _x000D_ it was people that first started acting like_x000D_ _x000D_ I was too dumb to hear or see or say anything at all
If this glorious birth to death hassle is the only hassle we are ever to have ..if our grand exhilarating fight of life is such a tragically short little scrap anyway,compared to the eons of rounds before and after-then why should one want to relinquish even a few precious seconds of it?
He was in his chair in the corner, resting a second before he came out for the next round -- in a long line of next rounds. The thing he was fighting, you couldn't whip it for good. All you could do was keep on whipping it, till you couldn't come out anymore and somebody else had to take your place.
The process of writing a novel is like taking a journey by boat. You have to continually set yourself on course. If you get distracted or allow yourself to drift, you will never make it to the destination. It's not like highly defined train tracks or a highway; this is a path that you are creating discovering. The journey is your narrative. Keep to it and there will be a tale told.
Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Because the writer must be a participant in the scene, while he's writing it — or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.
Writing ought either to be the manufacture of stories for which there is a market demand - a business as safe and commendable as making soap or breakfast foods - or it should be an art, which is always a search for something for which there is no market demand, something new and untried, where the values are intrinsic and have nothing to do with standardized values.
We are the music makers, and we are the dreamers of dreams.
If the audience, in minute 50, is thinking about the way a movie is shot, there's a problem. I want it to permeate emotionally.
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