I think, as a kid, turning on the television and seeing that everyone seemed to be wealthy and white made me feel like an outsider, lesser than. I was not wealthy. I was not white.
Interpretation
The quote reflects on feelings of alienation and inferiority due to societal representations of wealth and race during childhood.
Jacqueline Woodson expresses a childhood experience where the prevalence of wealthy and white characters in media created a sense of exclusion and inadequacy. This acknowledgment of feeling like an outsider highlights the impact of societal norms and representations on an individual's self-perception, particularly in relation to race and socioeconomic status.
In practice
In a discussion about diversity in media representation.
'Brown Girl Dreaming' was a book I had a lot of doubts about - mainly, would this story be meaningful to anyone besides me? My editor, Nancy Paulsen, kept assuring me, but there were moments when I was in a really sad place with the story for so many reasons. It wasn't an easy book to write - emotionally, physically, or creatively.
In the midst of observing the world and coming to consciousness, I was becoming a writer, and what I wanted to put on the page were the stories of people who looked like me.
Sometimes you do have to laugh to keep from crying. And sometimes the world feels all right and good and kind of like it's becoming nice again around you. And you realize it, and realize how happy you are in it, and you just gotta laugh.
I don't want anyone to walk through the world feeling invisible ever again.
The strength of my mother is something I didn't pay attention to for so long. Here she was, this single mom, who was part of the Great Migration, who was part of a Jim Crow south, who said, 'I'm getting my kids out of here. I'm creating opportunities for these young people by any means necessary.'
I would have written 'Brown Girl Dreaming' if no one had ever wanted to buy it, if it went nowhere but inside a desk drawer that my own children pulled out one day to find a tool for survival, a symbol of how strong we are and how much we've come through.
In America, I'm a foreigner because of my Korean heritage. In Asia, because I was born in America, I'm a foreigner. I'm always a foreigner.
Even though I'm a hairdresser and I love doing hair, I feel like I don't look like a groomer. When I think of how a groomer would look in relation to the first version of 'Queer Eye,' I feel like I don't fit in that box.
I sometimes think I was born to live up to my name. How could I be anything else but what I am having been named Madonna? I would either have ended up a nun or this.
I have my own identity ... The whole Michael thing does drive me nuts sometimes because people won't leave it alone. He's bald, I have hair. He's almost 40, I'm 22. Seriously though, I wish people would let it be and let me just be Kobe.
When everyone at school is speaking one language, and a lot of your classmates' parents also speak it, and you go home and see that your community is different -there is a sense of shame attached to that. It really takes growing up to treasure the specialness of being different.
The truth is, for me, when I was a young black girl who knew I was different, was watching TV, I would always be staring at the TV set looking for myself, and I didn't see me. And when you don't see yourself, you start to think that you don't matter, or you start to think that something is wrong with you.
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