I think, as a kid, turning on the television and seeing that everyone seemed to be wealthy and white made me feel like an outsider, lesser than. I was not wealthy. I was not white.
Interpretation
The quote reflects on feelings of alienation and inferiority due to societal representations of wealth and race during childhood.
Jacqueline Woodson expresses a childhood experience where the prevalence of wealthy and white characters in media created a sense of exclusion and inadequacy. This acknowledgment of feeling like an outsider highlights the impact of societal norms and representations on an individual's self-perception, particularly in relation to race and socioeconomic status.
In practice
In a discussion about diversity in media representation.
'Brown Girl Dreaming' was a book I had a lot of doubts about - mainly, would this story be meaningful to anyone besides me? My editor, Nancy Paulsen, kept assuring me, but there were moments when I was in a really sad place with the story for so many reasons. It wasn't an easy book to write - emotionally, physically, or creatively.
In the midst of observing the world and coming to consciousness, I was becoming a writer, and what I wanted to put on the page were the stories of people who looked like me.
Sometimes you do have to laugh to keep from crying. And sometimes the world feels all right and good and kind of like it's becoming nice again around you. And you realize it, and realize how happy you are in it, and you just gotta laugh.
I don't want anyone to walk through the world feeling invisible ever again.
The strength of my mother is something I didn't pay attention to for so long. Here she was, this single mom, who was part of the Great Migration, who was part of a Jim Crow south, who said, 'I'm getting my kids out of here. I'm creating opportunities for these young people by any means necessary.'
I would have written 'Brown Girl Dreaming' if no one had ever wanted to buy it, if it went nowhere but inside a desk drawer that my own children pulled out one day to find a tool for survival, a symbol of how strong we are and how much we've come through.
I have two passports because I have to have at least one, and I really don't know how I define myself. And I feel that as I get older, I feel very fortunate to have, on paper, a dual nationality.
Being South Asian in the U.K. is like being Latino in the U.S., I would guess. It's a bit more hood. You see things; things happen. I was bouncing between worlds. You're acting from a very early age, when you have to code-switch like that. I'm a hybrid, a mongrel. I think many people live that life.
I always assumed that my otherness was a curse - that I would be held back by my Asian and queer identities.
American? Indian? I don't know what these words mean. In Italy, it is all about blood, family, where you come from. I'm asked where I am from. I'm from nowhere; I always was, but now I am happy knowing it.
I have always wanted to be both man and woman, to incorporate the strongest and richest parts of my mother and father within/into me - to share valleys and mountains upon my body the way the earth does in hills and peaks.
I would rather be a member of this [Afrikan] race than a Greek in the time of Alexander, a Roman in the Augustan period, or Anglo-Saxon in the nineteenth century.
Subscribe for the occasional hand-picked quote. No noise.