You dance love, and you dance joy, and you dance dreams.
Gene KellyRead
I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn't catch on right away - but I had some good mentors in New York who encouraged me.
Interpretation
Gene Kelly reflects on his desire to create a unique American dance style influenced by his musical upbringing.
This quote captures Gene Kelly's passion for innovation in dance, inspired by the musical legends of his youth. Despite initial challenges in gaining recognition for his distinctive style, he attributes his perseverance and growth to the support of mentors who believed in his vision, highlighting the importance of encouragement in the creative process.
In practice
This quote can inspire young dancers who are trying to find their unique style.
You dance love, and you dance joy, and you dance dreams.
At 14 I discovered girls. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship.
My mother had gotten a job as a receptionist at a dancing school and had the idea that we should open our own dancing school; we did, and it prospered.
Things danced on the screen do not look the way they do on the stage. On the stage, dancing is three-dimensional, but a motion picture is two-dimensional.
There is a strange sort of reasoning in Hollywood that musicals are less worthy of Academy consideration than dramas. It's a form of snobbism, the same sort that perpetuates the idea that drama is more deserving of Awards than comedy.
The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that and then I put it out there and say to you, "What do you think?" I hope that you think well of it, obviously.
Today, comics is one of the very few forms of mass communication in which individual voices still have a chance to be heard.
Eloquence is a painting of the thoughts.
It is not theatre that is indispensable, but something quite different. To cross the frontiers between you and me.
The unsatisfied yearning of the artist reaches back to the primordial image in the unconscious which is best fitted to compensate the inadequacy and one-sidedness of the present.
I use the computer as a tool. Like chance or the camera or the other tools I've used, it can open my eye to other ways of seeing or of making dances. It's not simply to do a trick.
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