There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me.
Interpretation
The artist reflects on creating bold and unique work that he initially thought wouldn't be appreciated.
Kehinde Wiley expresses gratitude for the freedom to create art that reflects his identity and experiences, despite initial doubts about its appeal. His statement highlights the importance of bold self-expression and the unexpected acceptance of diverse narratives in the art world.
In practice
In a discussion about the importance of diverse voices in art, this quote can illustrate the power of representation.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
There's no getting around it: Writing is hard, while working with young performers is nearly always a joy.
Actors in any capacity, artists of any stripe, are inspired by their curiosity, by their desire to explore all quarters of life, in light and in dark, and reflect what they find in their work. Artists instinctively want to reflect humanity, their own and each other's, in all its intermittent virtue and vitality, frailty and fallibility.
I wanted to play roles which offered new ways of viewing black women and black people in general- and I have done that. And I have always, whether I needed to pay the rent or not, I've always turned down roles which I thought were stereotypical. And so when I look at my body of work in that respect, I am really happy. Because I feel my work does say something positive and that was what I always set out to do.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
When I was younger, I thought I had to shut myself off, work really hard to cry. I learned after a while that that's just not... You know, often in life, you cry when you're caught off-guard. That's where I need to be when I'm acting, too.
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