You see a script, and you say, 'Oh, I can play the heck out of that,' talk to your agent, and he says they don't want to see you. That's heartbreaking.
Rita MorenoRead
It's kind of heartbreaking when I talk about it now, I still get very moved by the lack of opportunities that were available to myself and to the very few others who were Hispanic young actresses.
Interpretation
The quote reflects the deep emotional impact of limited opportunities faced by Hispanic young actresses.
Rita Moreno's quote speaks to the pain and disappointment of experiencing systemic barriers in the entertainment industry, particularly for Hispanic young actresses. It highlights the broader issue of inequity and the emotional weight that comes from reminiscing about missed opportunities and the struggles faced by marginalized communities in a field that often overlooks their talents.
In practice
This quote could be used in a speech about diversity in Hollywood.
You see a script, and you say, 'Oh, I can play the heck out of that,' talk to your agent, and he says they don't want to see you. That's heartbreaking.
I'm trying as hard as I can to keep pushing the boundaries of what a woman is capable of doing. And it turns out there's a lot we can do. There's a lot we can speak about.
No one's going to tell me how to make my own choices. For too many years, everybody told me what to say and what to do and how to be.
I started dancing almost before I could walk.
What musical performers bring to straight characterizations is that physical flexibility that comes with knowing your body so well. A lot of actors are terribly awkward. Terribly. And I think it's so important for them, when they're young, to work on their physical selves.
I've always had this image of this strong, sprightly person who is undaunted by anything; on the contrary, I was one of the shyest, most unsure people you ever met in your life. But I have one very specific quality: I'm plucky. I really am. I would say that's a perfect description of my personality.
...though she had not had the strength to shake off the spell that bound her to him she had lost all spontaneity of feeling, and seemed to herself to be passively awaiting a fate she could not avert.
Koreans are worried about the Japanese right-wing people, who tend to be against foreigners. But the Koreans in Japan aren't even foreigners. They are essentially culturally Japanese. If a family has lived in Japan for three generations, it's absurd to see them as foreigners.
Being employed is like being loved: you know that somebody's thinking about you the whole time.
I find myself consistently drawn to writing about intimacy and the way we construct one another.
Old lovers go the way of old photographs, bleaching out gradually as in a slow bath of acid: first the moles and pimples, then the shadings. Then the faces themselves, until nothing remains but the general outlines.
A portable friend to all readers-especia lly but not only women-who need to learn that the Golden Rule works only if it's reversible: We must learn to treat ourselves as well as we wish to treat others.
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