My art flatters nobody by imitation; it courts nobody by smoothness, tickles nobody by petiteness... there is no finish in nature.
John ConstableRead
The landscape painter must walk in the fields with a humble mind. No arrogant man was ever permitted to see Nature in all her beauty.
Interpretation
To truly appreciate nature's beauty, one must approach it with humility and openness.
This quote by John Constable emphasizes the importance of humility in understanding and appreciating the beauty of nature. It suggests that an arrogant mindset can blind individuals to the wonders around them, and only those who are humble and willing to learn can fully grasp the depth of nature's beauty, particularly in the context of painting and artistic representation.
In practice
This quote can be shared in a discussion about the importance of a humble approach in art classes.
My art flatters nobody by imitation; it courts nobody by smoothness, tickles nobody by petiteness... there is no finish in nature.
Whatever may be thought of my art, it is my own; and I would rather possess a freehold, though but a cottage, than live in a palace belonging to another.
Painting is a science, and should be pursued as an inquiry into the laws of nature.
Painting is but another word for feeling.
It is the soul that sees; the outward eyes _x000D_ Present the object, but the Mind descries. _x000D_ We see nothing till we truly understand it.
When I sit down to make a sketch from nature, the first thing I try to do is to forget that I have ever seen a picture.
Prose-it might be speculated-is discourse; poetry ellipsis. Prose is spoken aloud; poetry overheard. The one is presumably articulate and social, a shared language, the voice of "communication"; the other is private, allusive, teasing, sly, idiosyncratic as the spider's delicate web, a kind of witchcraft unfathomable to ordinary minds.
Asking an artist to talk about his work is like asking a plant to discuss horticulture.
Why has Scandinavia been producing such good thrillers? Maybe because their filmmakers can't afford millions for CGI and must rely on cheaper elements like, you know, stories and characters.
There's something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically... I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous.
You cannot own a symphony or a novel in the way you can own a Damien Hirst. As a result there are far fewer fake symphonies or fake novels than there are fake works of visual art.
Writing for other artists helped me figure out that magic you have to capture to make everyone connect with a song.
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