Architect's designs must refer to the unquestionable perfection of the body's symmetry and proportions. If a building is to create a sense of eurythmia, it is essential that it mirrors these natural laws of harmony and beauty
Interpretation
The quote emphasizes that architectural designs should reflect the natural beauty and symmetry found in the human body.
Marcus Vitruvius Pollio highlights the intrinsic connection between architecture and the principles of natural harmony. He asserts that for a building to embody beauty and a sense of balanced proportion, its design must echo the symmetrical qualities of the human body, thereby achieving a sense of eurythmia, or harmonious flow. This perspective underscores the importance of proportion and beauty in both natural and constructed forms.
In practice
In a presentation about architectural principles, one could cite this quote to emphasize the importance of design in connecting with human aesthetics.
Architects should be educated, skillful with the pencil, instructed in geometry, know much history, have followed the philosophers with attention, understand music, have some knowledge of medicine, know the opinions of the jurists, and be acquainted with astronomy and the theory of the heavens
Now architecture consists of order, which in Greek is called taxis ... Order is the balanced adjustment of the details of the work separately, and, as to the whole, the arrangement of the proportion with a view to a symmetrical result.
Beauty is produced by the pleasing appearance and good taste of the whole, and by the dimensions of all the parts being duly proportioned to each other.
I am moreover inclined to be concise when I reflect on the constant occupation of the citizens in public and private affairs, so that in their few leisure moments they may read and understand as much as possible.
I, therefore, O Caesar, do not publish this work, merely prefixing my name to a treatise which of right belongs to others, nor think of acquiring reputation by finding fault with the works of any one.
But I, Caesar, have not sought to amass wealth by the practice of my art, having been rather contented with a small fortune and reputation, than desirous of abundance accompanied by a want of reputation.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.
I have not practiced how to be a singer without an instrument.
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
Any baseball is beautiful. No other small package comes as close to the ideal design and utility. It is a perfect object for a man's hand. Pick it up and it instantly suggests its purpose; it is meant to be thrown a considerable distance - thrown hard and with precision.
The light music of whiskey falling into glasses made an agreeable interlude.
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