I turned on the pillow with a little moan, and at this juncture Jeeves entered with the vital oolong. I clutched at it like a drowning man at a straw hat.
P. G. WodehouseRead
I believe there are two ways of writing novels. One is mine, making a sort of musical comedy without music and ignoring real life altogether; the other is going right deep down into life and not caring a damn.
Interpretation
The quote contrasts two approaches to writing novels: one that is light and entertaining, and another that strives for a deeper, more serious exploration of life.
P. G. Wodehouse presents two distinct styles of novel writing: one that is whimsical and amusing, embodying a carefree and entertaining spirit, and the other that delves into the complexities and realities of life, regardless of its seriousness. This distinction highlights the diversity of literary expression and the varying intentions behind storytelling, suggesting that both approaches hold value in the world of literature.
In practice
During a writers' conference, to highlight different styles of storytelling.
I turned on the pillow with a little moan, and at this juncture Jeeves entered with the vital oolong. I clutched at it like a drowning man at a straw hat.
While not exactly disgruntled, he was far from feeling gruntled. He spoke with a certain what-is-it in his voice, and I could see that, if not actually disgruntled, he was far from being gruntled.
She fitted into my biggest arm-chair as if it had been built round her by someone who knew they were wearing arm-chairs tight about the hips that season
It was a nasty look. It made me feel as if I were something the dog had brought in and intended to bury later on, when he had time.
Memories are like mulligatawny soup in a cheap restaurant. It is wiser not to stir them.
It was a confusion of ideas between him and one of the lions he was hunting in Kenya that had caused A. B. Spottsworth to make the obituary column. He thought the lion was dead, and the lion thought it wasn't.
In order to acquire a growing and lasting respect in society, it is a good thing, if you possess great talent, to give, early in your youth, a very hard kick to the right shin of the society that you love. After that, be a snob.
I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.
One writes such a story [The Lord of the Rings] not out of the leaves of trees still to be observed, nor by means of botany and soil-science; but it grows like a seed in the dark out of the leaf-mold of the mind: out of all that has been seen or thought or read, that has long ago been forgotten, descending into the deeps. No doubt there is much personal selection, as with a gardener: what one throws on one's personal compost-heap; and my mold is evidently made largely of linguistic matter.
I was the shadow of the waxwing slain By the false azure in the windowpane; I was the smudge of ashen fluff -and I Lived on, flew on, in the reflected sky. And from the inside, too, I'd duplicate Myself, my lamp, an apple on a plate: Uncurtaining the night, I'd let dark glass Hang all the furniture above the grass, And how delightful when a fall of snow Covered my glimpse of lawn and reached up so As to make chair and bed exactly stand Upon that snow, out in that crystal land!
I think the trouble with artists or chefs who whine about criticism is that if you love the good reviews, you have to at least read the bad ones.
Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written.
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